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Eternal Melodies

1940 film by Carmine Gallone

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 11, 2026
Entity authorityQ3854278 ↗
Source-derived summary

Eternal Melodies (Italian: Melodie eterne) is a 1940 Italian historical drama film directed by Carmine Gallone and starring Gino Cervi, Conchita Montenegro and Luisella Beghi. It was one of several musical biopics directed by Gallone. The film was shot at Cinecittà in Rome.

Synopsis

The film is a heavily fictionalized account of the life of the Austrian composer Wolfgang Amadeus Mozart (1756–1791).

Cast

Gino Cervi as Wolfgang Amadeus Mozart

Conchita Montenegro as Aloisia Weber Lange

Luisella Beghi as Costanza Weber Mozart

Maria Jacobini as Anna Maria Mozart

Jone Salinas as Nannina Mozart

Luigi Pavese as Leopoldo Mozart

Paolo Stoppa as Haibl, clarinettista

Lauro Gazzolo as Il locandiere Deiner

Claudio Gora as L'imperatore Giuseppe

Olga Vittoria Gentilli as L'imperatrice Maria Teresa

Margherita Bagni as Signora Weber

Marisa Vernati as Sofia Weber

Armida Bonocore as Giuseppina Weber

Giulio Donadio as L'impresario Schikaneder

Augusto Marcacci as Il musicista Salieri

Sandro Ruffini as Il gentiluomo che commissiona il 'Requiem'

Giulio Stival as Il tenore Giuseppe Lange

Romolo Costa as Il compositore Schröder

Carlo Duse as Il conte Arco

Cesare Polacco as Haydn

Alfredo Martinelli as Il signore invidioso

Giuseppe Varni as Un detrattore

Franco Pesce as Il direttore di scena

References

Bibliography

Moliterno, Gino. Historical Dictionary of Italian Cinema. Scarecrow Press, 2008.

Editorial summary

Begin with the source’s own compact description: “Eternal Melodies” is 1940 film by Carmine Gallone. The dossier treats that line as a proposition to test through Eternal, Melodies and film, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1940, 1756, 1791, 2008—that can be checked directly. The linked authority record independently contributes the date 1940-01-01. For this dossier, Eternal, Melodies and film is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1940 film by Carmine Gallone” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jun 11, 2026. The linked authority identifier is Q3854278. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1940, 1756, 1791 and 2008.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Eternal Melodies”, its source revision and the description used here.
  2. Expand the search: follow Eternal Melodies primary sources, Eternal Melodies archive and Eternal research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Eternal Melodies”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from “Eternal Melodies” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.