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Escapement (film)

1958 film by Montgomery Tully

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 8, 2026
Entity authorityQ17105221 ↗
Source-derived summary

Escapement (also known as The Electronic Monster) is a 1958 British horror science fiction film directed by Montgomery Tully and David Paltenghi (dream sequences). The screenplay was by Charles Eric Maine based on his 1956 novel of the same title.

The film was released in the UK (as Escapement) on March 4, 1958. It was released in the US (retitled The Electronic Monster) on June 10, 1960.

Plot

Inquiring into the mysterious death of a Hollywood star, insurance investigator Jeff Keenan uncovers an exclusive psychiatric clinic on the French Riviera. Here, patients who want to escape the stresses of life are hypnotized, then laid out in morgue-like drawers and left to dream for several weeks. It turns out that Zakon, the clinic's owner, is using a "dream machine" to alter the sleepers' dreams, and to impose his will on theirs.

Cast

Production

Producer Richard Gordon later said there were major problems with the film's special effects. He also said that he had a dispute with Anglo-Amalgamated, who did not want the movie to get an X certificate in England, whereas Gordon wanted more horror for the US. Most of Anglo's films were crime oriented but this had some science fiction aspects.

The film's electronic music soundtrack is credited to Soundrama with John Simmons as consultant and Robert Taylor as music director.

Editorial summary

Begin with the source’s own compact description: “Escapement (film)” is 1958 film by Montgomery Tully. The dossier treats that line as a proposition to test through Escapement, film and Montgomery, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1958, 1956, 1960—that can be checked directly. The linked authority record independently contributes the date 1958-01-01. For this dossier, Escapement, film and Montgomery is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1958 film by Montgomery Tully” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 8, 2026. The linked authority identifier is Q17105221. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1958, 1956 and 1960.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Escapement (film)”, its source revision and the description used here.
  2. Expand the search: follow Escapement (film) primary sources, Escapement (film) archive and Escapement research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Escapement (film)”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “Escapement (film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.