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Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172

church cantata by Johann Sebastian Bach composed for Pentecost Sunday

Architectural plans, a scale model, maps and brass measuring instruments
Places and architectureInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 18, 2026
Entity authorityQ1361757 ↗
Source-derived summary

Erschallet, ihr Lieder, erklinget, ihr Saiten! (Resound, you songs; ring out, you strings!), BWV 172, is a church cantata by Johann Sebastian Bach, composed in Weimar for Pentecost Sunday in 1714. Bach led the first performance on 20 May 1714 in the Schlosskirche, the court chapel in the ducal Schloss. Erschallet, ihr Lieder is an early work in a genre to which he later contributed complete cantata cycles for all occasions of the liturgical year.

Bach was appointed Konzertmeister in Weimar in the spring of 1714, a position that called for the performance of a church cantata each month. He composed Erschallet, ihr Lieder as the third cantata in the series, to a text probably written by court poet Salomon Franck. The text reflects different aspects of the Holy Spirit. The librettist included a quotation from the day's prescribed Gospel reading in the only recitative, and for the closing chorale he used a stanza from Philipp Nicolai's hymn "Wie schön leuchtet der Morgenstern" (1599).

The work is in six movements, and scored for four vocal soloists, four-part choir, three trumpets, timpani, oboe, bassoon and a string orchestra of two violins, two violas, and basso continuo. The orchestra for the holiday occasion is festive compared to the two works previously composed in Weimar.

Editorial summary

This brief starts where responsible research should: with the source description of “Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172” as church cantata by Johann Sebastian Bach composed for Pentecost Sunday. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA strong orientation record where physical form, institutional use and historical geography need to be read together. The current lead gives the account dated anchors—1714, 1599—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Erschallet, Lieder and erklinget can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the places & architecture register because the source frames it as church cantata by Johann Sebastian Bach composed for Pentecost Sunday. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Place names and jurisdictional language are key evidence: both can reveal earlier catalogue descriptions and overlooked record series. The source revision retrieved here is dated Jun 18, 2026. The linked authority identifier is Q1361757. VIAF identifies the subject as 183933215. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1714 and 1599.

Critical limits

A single description cannot reconcile every naming convention, rebuilding phase or administrative transfer associated with a place. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Treat names, boundaries and functions as historically changeable. Maps, plans, inventories and administrative records can clarify what the place meant at different dates.

Best used for
  • Historic place names
  • Jurisdictional context
  • Routes into maps and plans
Verify next

Contemporary maps, plans, listed-building records, estate papers and the responsible local or national archive.

Three-step research path

  1. Establish the record: confirm the title “Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172”, its source revision and the description used here.
  2. Expand the search: follow Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 primary sources, Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 archive and Erschallet research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172”?
  2. Which earlier names or jurisdictions may reveal additional records?
  3. Which authority defined the place, boundary or structure at the relevant date?
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Source & attribution

This entry incorporates text from “Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.