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Heinrich Gärtner (cinematographer)

Austrian cinematographer (1895–1962)

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 30, 2026
Entity authorityQ1597443
Source-derived summary

Heinrich Gärtner (1895–1962) was an Austrian cinematographer who worked on over 180 films during his career. He is often credited as Enrique Guerner in his later films. Gärtner was born in Radautz which was then part of the Austro-Hungarian Empire, but later became Rădăuți in Romania. He entered the German film industry in 1915, and worked prolifically during the silent era.

As Gärtner was of Jewish descent, he was forced to flee Germany once the Nazis gained power in 1933. He settled in Spain, where he continued to work following Franco's victory in the Spanish Civil War. Gärtner was an influential figure in Spanish cinema, introducing elements of expressionism and training rising filmmakers such as Alfredo Fraile, José F. Aguayo and Cecilio Paniagua.

Selected filmography

Dancer of Death (1920)

Demon Blood (1920)

Off the Rails (1921)

The Black Spider (1921)

Sunken Worlds (1922)

The Circle of Death (1922)

Youth (1922)

Fräulein Raffke (1923)

The Comedian's Child (1923)

Time Is Money (1923)

Heart of Stone (1924)

The Enchantress (1924)

The Most Beautiful Woman in the World (1924)

Lord Reginald's Derby Ride (1924)

The Motorist Bride (1925)

The Woman with That Certain Something (1925)

Women of Luxury (1925)

The Prince and the Dancer (1926)

Chaste Susanne (1926)

The Prince of Pappenheim (1927)

Fabulous Lola (1927)

Song (1928)

Hai-Tang (1930)

The Copper (1930)

Night Birds (1930)

The Flame of Love (1930)

The Road to Dishonour (1930)

The Daredevil (1931)

Let's Love and Laugh (1931)

The Woman Between (1931)

Once There Was a Waltz (1932)

Theodor Körner (1932)

The Blue of Heaven (1932)

Overnight Sensation (1932)

Holzapfel Knows Everything (1932)

Adventures in the Engadin (1932)

Countess Mariza (1932)

Typhoon (1933)

Sister San Sulpicio (1934)

Wild Cattle (1934)

Doña Francisquita (1934)

Nobleza baturra (1935)

Currito of the Cross (1936)

Morena Clara (1936)

La Dolores (1939)

Raza (1942)

El frente de los suspiros (1942)

The Cursed Village (1942)

The House of Rain (1943)

Orosia (1944)

Last Stand in the Philippines (1945)

Three Mirrors (1947)

Doña María the Brave (1948)

A Toast for Manolete (1948)

Tales of the Alhambra (1950)

The Great Galeoto (1951)

Devil's Roundup (1952)

Amaya (1952)

Such is Madrid (1953)

High Fashion (1954)

He Died Fifteen Years Ago (1954)

Miracle of Marcelino (1955)

Three are Three (1955)

It Happened in Broad Daylight (1958)

Back to the Door (1959)

Green Harvest (1961)

You and Me Are Three (1962)

References

Bibliography

Bock, Hans-Michael & Bergfelder, Tim. The Concise CineGraph. Encyclopedia of German Cinema.

Editorial summary

This brief starts where responsible research should: with the source description of “Heinrich Gärtner (cinematographer)” as austrian cinematographer (1895–1962). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1895, 1962, 1915, 1933—that can be checked directly. The linked authority record independently contributes the date 1895-03-16. The account is most persuasive where Heinrich, Gärtner and cinematographer can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as austrian cinematographer (1895–1962). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated May 30, 2026. The linked authority identifier is Q1597443. VIAF identifies the subject as 81611537. The Library of Congress control number is no2005007926. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1895, 1962, 1915 and 1933.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from Heinrich Gärtner (cinematographer)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.