CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

Angel of the Morning

original song written and composed by Chip Taylor; first recorded by Evie Sands and released in 1967

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 23, 2026
Entity authorityQ4176192 ↗
Source-derived summary

"Angel of the Morning" is a popular song written by Chip Taylor, originally recorded by Evie Sands but which first charted with a version by Merrilee Rush. The song has been covered by many artists including Shaggy, Chrissie Hynde, Dusty Springfield, P. P. Arnold, Connie Eaton, Mary Mason, Guys 'n' Dolls, Melba Montgomery, Olivia Newton-John and Juice Newton, who reached the Billboard Hot 100 top ten with her version in 1981.

Origin and early recordings

The song was composed in 1967 by Chip Taylor, who said of it: "I wrote 'Angel of the Morning' after hearing the Rolling Stones song 'Ruby Tuesday' on the car radio when I was driving into New York City. I wanted to capture that kind of passion."

"Angel of the Morning" was originally offered to Connie Francis, but she turned it down because she thought that the lyrical message—the morning after a one-night stand—was too risqué for her image. Taylor produced the first recording of the song with Evie Sands, but the financial straits of Cameo-Parkway Records, which had Sands on their roster, led to a highly limited single release and no promotion.

The second recording was by UK vocalist Billie Davis, made in 1967 by Danny Michaels for Lee Hazlewood's LHI label; however, this version failed to make an impact. Davis' version was later included on her 1970 debut album Billie Davis. P. P. Arnold provided backup vocals for that version and later released a version herself on her 1968 album Kafunta.

Merrilee Rush version

The song became a hit in 1968 through a recording by Merrilee Rush, made that January at the American Sound Studio in Memphis, with Chips Moman and Tommy Cogbill producing. Rush had come to Memphis through the group she fronted, the Turnabouts, being the opening act for a Paul Revere and the Raiders tour.

Editorial summary

Begin with the source’s own compact description: “Angel of the Morning” is original song written and composed by Chip Taylor; first recorded by Evie Sands and released in 1967. The dossier treats that line as a proposition to test through Angel, Morning and original, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1981, 1967, 1970, 1968—that can be checked directly. The linked authority record independently contributes the date 1967. For this dossier, Angel, Morning and original is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “original song written and composed by Chip Taylor; first recorded by Evie Sands and released in 1967” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 23, 2026. The linked authority identifier is Q4176192. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1981, 1967, 1970 and 1968.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Angel of the Morning”, its source revision and the description used here.
  2. Expand the search: follow Angel of the Morning primary sources, Angel of the Morning archive and Angel research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Angel of the Morning”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Angel of the Morning” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.