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Emma Lazarus

American poet (1849–1887)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 27, 2026
Entity authoritySource title only
Source-derived summary

Emma Lazarus was an American author of poetry, prose, and translations, as well as an activist for Jewish and Georgist causes. Lazarus is especially remembered for her 1883 sonnet, "The New Colossus", which was inspired by the Statue of Liberty. Lines from the sonnet are inscribed on a bronze plaque which was installed on the Statue's pedestal in 1903. Lazarus was involved in aiding refugees to New York who had fled antisemitic pogroms in eastern Europe, and she saw a way to express her empathy for these refugees in terms of the statue. The last lines of the sonnet were set to music by Irving Berlin as the song "Give Me Your Tired, Your Poor" for the 1949 musical Miss Liberty, which was based on the sculpting of the Statue of Liberty. The latter part of the sonnet was also set by Lee Hoiby in his song "The Lady of the Harbor" written in 1985 as part of his song cycle "Three Women".

Editorial summary

“Emma Lazarus” enters the record as american poet (1849–1887). Crown Archives preserves that source wording while asking what Emma, Lazarus and American can confirm, complicate or overturn.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1883, 1903, 1949, 1985—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Emma, Lazarus and American.
Editorial analysis

Why this record matters

“Emma Lazarus” is worth following because a concise public description often conceals a longer documentary argument. Here, Emma, Lazarus and American provides the most credible route into that argument.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Aug 27, 2026. The first chronological checks are 1883, 1903, 1949 and 1985.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

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  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Three-step research path

  1. Establish the record: confirm the title “Emma Lazarus”, its source revision and the description used here.
  2. Expand the search: follow Emma Lazarus primary sources, Emma Lazarus archive and Emma research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Emma Lazarus”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. Which claims depend on a single source or contested interpretation?
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Source & attribution

This entry incorporates text from Emma Lazarus” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.