Emil Scaria
Austrian opera singer

Emil Scaria (18 September 1838 – 23 July 1886) was an Austrian bass-baritone. Born in Graz, he studied at the conservatory in Vienna before making his debut in Pest in 1860; he sang the role of St. Bris in Les Huguenots. He was a failure, and abandoned the stage entirely in favor of further study; he selected Manuel García as his new teacher. Though he returned to the stage in Dessau, he did not see success until he sang at the Crystal Palace in London in 1862. In 1863, he appeared with the Leipzig Opera; in 1864, he was working in Dresden. He was engaged by the Vienna State Opera in 1872. In 1882, he created the role of Gurnemanz in Parsifal for Richard Wagner at the Bayreuth Festspielhaus. Scaria died in Blasewitz, in Germany, in 1886.
Roles
World premieres
1868 Franz von Holstein: Der Haideschacht – Königliches Hoftheater Dresden
1882 Richard Wagner: Parsifal – Bayreuth Festival (Gurnemanz)
Repertoire
References
Further reading
David Ewen, Encyclopedia of the Opera: New Enlarged Edition.
“Emil Scaria” enters the record as austrian opera singer. Crown Archives preserves that source wording while asking what Emil, Scaria and Austrian can confirm, complicate or overturn.
Why this record matters
“Emil Scaria” is worth following because a concise public description often conceals a longer documentary argument. Here, Emil, Scaria and Austrian provides the most credible route into that argument.
The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Aug 31, 2025. The linked authority identifier is Q5371434. VIAF identifies the subject as 72162422. The Library of Congress control number is no2018063555. 3 of 4 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1838, 1886, 1860 and 1862.
A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.
- Establishing names and roles
- Building a first chronology
- Locating cited institutions
Personal papers, civil or court records, institutional files and the scholarship cited by the source.
Three-step research path
- Establish the record: confirm the title “Emil Scaria”, its source revision and the description used here.
- Expand the search: follow Emil Scaria primary sources, Emil Scaria archive and Emil research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Emil Scaria”?
- How has the subject’s reputation changed across later accounts?
- Which claims depend on a single source or contested interpretation?
Search terms from this dossier
This entry incorporates text from “Emil Scaria” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.