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Elisa Badenes

Spanish ballet dancer

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 22, 2025
Entity authorityQ94174127
Source-derived summary

Elisa Badenes is a Spanish ballet dancer who is currently a principal dancer at the Stuttgart Ballet in Germany.

Early life

Badenes was born in Valencia, Spain. She started ballet at Conservatorio Profesional de Danza de Valencia at age 11. In 2008, after competing at the Prix de Lausanne, she trained at The Royal Ballet School for a year with a scholarship.

Career

In 2009, Badenes became an apprentice with Stuttgart Ballet as after she graduated, and became a member of the company's corps de ballet a year later. She became a principal dancer in 2013. Roles she performed include Odette/Odile in Swan Lake, Aurora in The Sleeping Beauty, Juliet in Romeo and Juliet, Tatiana in Onegin and Baroness Mary Vetsera in Mayerling. She has also danced in productions by Jerome Robbins, George Balanchine, Hans van Manen and William Forsythe, and worked with choreographers such as Sidi Larbi Cherkaoui, Wayne McGregor and Christian Spuck. As a guest artist, Badenes performed with The Australian Ballet.

Editorial summary

This brief starts where responsible research should: with the source description of “Elisa Badenes” as spanish ballet dancer. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—2008, 2009, 2013—that can be checked directly. The linked authority record independently contributes the date 1992. The account is most persuasive where Elisa, Badenes and Spanish can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as spanish ballet dancer. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jul 22, 2025. The linked authority identifier is Q94174127. VIAF identifies the subject as 2260150518476703650008. The Library of Congress control number is no2020115366. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2008, 2009 and 2013.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Elisa Badenes”, its source revision and the description used here.
  2. Expand the search: follow Elisa Badenes primary sources, Elisa Badenes archive and Elisa research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Elisa Badenes”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from Elisa Badenes” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.