CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

El Infierno (2010 film)

2010 film by Luis Estrada

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 30, 2026
Entity authorityQ624974
Source-derived summary

El Infierno (English: Hell) is a 2010 Mexican black comedy crime drama film produced by Bandidos Films and directed by Luis Estrada, following the line of La ley de Herodes. A political satire about drug trafficking, organized crime and the Mexican drug war, the film received an NC-17 rating by the MPAA for "some graphic violence and explicit sexual content".

El Infierno enjoyed both critical and commercial success in Mexico and was nominated for the 25th Goya Awards for Best Spanish Language Foreign Film. The film has enjoyed a cult following, primarily by Mexican audiences.

The film's loosely related follow up, La dictadura perfecta (English: The Perfect Dictatorship), was released October 16, 2014, to generally positive reviews.

Plot

The story begins with Benjamin García, nicknamed "Benny" (Damián Alcázar), saying farewell to his mother and younger brother to migrate to the United States. 20 years later, he is deported back to Mexico, where he finds a bleak reality where an economic crisis and a wave of crime and violence hit the country as a result of the war on drugs.

His mother and godfather tell Benny his younger brother was killed under strange circumstances, leaving behind a wife and son. Benny soon meets then is attracted towards his brother's widow, Guadalupe Solís (Elizabeth Cervantes), and promises in front of his brother's grave to help her and his nephew. Some time later, he meets his childhood friend Eufemio "El Cochiloco" Mata (Joaquín Cosío), who has become part of a drug cartel.

Editorial summary

The public source identifies “El Infierno (2010 film)” as 2010 film by Luis Estrada. This brief keeps that definition visible, then builds a research path around Infierno, film and Luis.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2010, 2014—that can be checked directly. The linked authority record independently contributes the date 2010-09-03. Its value is orientation rather than verdict, with Infierno, film and Luis providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “El Infierno (2010 film)”, the useful work is to connect “2010 film by Luis Estrada” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jun 30, 2026. The linked authority identifier is Q624974. VIAF identifies the subject as 225730130. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2010 and 2014.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “El Infierno (2010 film)”, its source revision and the description used here.
  2. Expand the search: follow El Infierno (2010 film) primary sources, El Infierno (2010 film) archive and Infierno research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “El Infierno (2010 film)”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from El Infierno (2010 film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.