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The Ghost Galleon

1974 film by Amando de Ossorio

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 27, 2026
Entity authorityQ830241 ↗
Source-derived summary

The Ghost Galleon also known as El buque maldito, is a 1974 Spanish horror film written and directed by Amando de Ossorio and starring Jack Taylor. It has numerous alternate titles, including The Blind Dead 3, Horror of the Zombies and Ship of Zombies. In Germany it was released as The Ghost Ship of the Swimming Corpses (German: Das Geisterschiff der schwimmenden Leichen), though the German theatrical poster also has the title The Ghost Ship of the Blind Dead on it.

The film is the third in Ossorio's "Blind Dead" series, and the sequel to Tombs of the Blind Dead (1972) and Return of the Blind Dead (1973). It was followed by the final entry, Night of the Seagulls (1975).

Plot

A pair of swimsuit models are out in a boat to stage a publicity stunt by appearing to be stranded. They discover a mysterious galleon shrouded in mist and board it. One of the models' roommates, a fellow model who has a lesbian crush on her friend confronts the owner of the modeling agency, who hired them out to her friend; a wealthy and unscrupulous businessman behind the publicity stunt. The roommate is taken hostage when she discovers that her friend has gone missing and is raped by one of the businessman's henchmen. The businessman and the head of the modeling agency recruit an eccentric scholar to assist them in their search for the missing models and their boat, taking the roommate with them as they can not allow her to reveal the truth about the incident to the public.

Editorial summary

Begin with the source’s own compact description: “The Ghost Galleon” is 1974 film by Amando de Ossorio. The dossier treats that line as a proposition to test through Ghost, Galleon and film, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1974, 1972, 1973, 1975—that can be checked directly. The authority record carries competing date values—1974-06-28, 1975-09-15, 1978-09-20—which should remain separate until their references and qualifiers are resolved. For this dossier, Ghost, Galleon and film is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1974 film by Amando de Ossorio” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jul 27, 2026. The linked authority identifier is Q830241. 3 of 3 selected statements include explicit references; 3 carry qualifiers and 0 use preferred rank. The first chronological checks are 1974, 1972, 1973 and 1975.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Ghost Galleon”, its source revision and the description used here.
  2. Expand the search: follow The Ghost Galleon primary sources, The Ghost Galleon archive and Ghost research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Ghost Galleon”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from “The Ghost Galleon” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.