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El Ametralladora

1943 film

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 13, 2026
Entity authorityQ5965712 ↗
Source-derived summary

El Ametralladora (English: "The machine gun") is a 1943 film directed by Aurelio Robles Castillo and Jaime Luis Contreras, and starring Pedro Infante, Margarita Mora and Ángel Garasa. It is the sequel to the movie Ay, Jalisco...no te rajes!, starring Jorge Negrete as the character Salvador Pérez Gómez 'El Ametralladora', and based on the book Ay, Jalisco...no te rajes! written by Robles Castillo.

It was filmed in several locations in Jalisco including Lake Chapala, Atotonilco, Guadalajara and Tepatitlán and distributed by Jalisco Films, S.A. The film was dedicated to Carlos López who played Chaflán in the prequel. It was released September 28, 1943 at the Theresa Cinema (Cine Teresa).

Songs

¡Ay, Jalisco, no te rajes!

Ay qué chispo by Arturo Robles Castillo

Ruégale a Dios by Arturo Robles Castillo

El corrido de Chaflán by Arturo Robles Castillo, Nicandro Castillo

Arullo de quimera by Chucho Monge

Plot

The film takes place during the turbulent Mexican Revolution, Salvador has just won the race for Carmen Sala's hand in marriage, held by General Carvajal who is Felipe's father. The agreement was that if Felipe won the race he would marry Carmen and the general would not force her father, Mr. Salas, to sell his property to him. But if Salvador won the race, he would have the right to marry Carmen, and the general would let the property matter go.

Editorial summary

Begin with the source’s own compact description: “El Ametralladora” is 1943 film. The dossier treats that line as a proposition to test through Ametralladora and film, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1943—that can be checked directly. The linked authority record independently contributes the date 1943. For this dossier, Ametralladora and film is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1943 film” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Mar 13, 2026. The linked authority identifier is Q5965712. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1943.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “El Ametralladora”, its source revision and the description used here.
  2. Expand the search: follow El Ametralladora primary sources, El Ametralladora archive and Ametralladora research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “El Ametralladora”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from “El Ametralladora” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.