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Ekaterina Telesheva

Russian ballet dancer (1805-1857)

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 26, 2026
Entity authorityQ4454182 ↗
Source-derived summary

Ekaterina Telesheva (1804–1857) was a Russian ballerina. She was engaged at the Imperial Theatres in 1820–1842, during which she had a successful career and referred to as the elite of her profession of her generation and appointed to the rank of court dancer.

Editorial summary

The public source identifies “Ekaterina Telesheva” as russian ballet dancer (1805-1857). This brief keeps that definition visible, then builds a research path around Ekaterina, Telesheva and Russian.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1804, 1857, 1820, 1842—that can be checked directly. The linked authority record independently contributes the date 1805-11-23. Its value is orientation rather than verdict, with Ekaterina, Telesheva and Russian providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Ekaterina Telesheva”, the useful work is to connect “russian ballet dancer (1805-1857)” to the records capable of establishing context and consequence.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jun 26, 2026. The linked authority identifier is Q4454182. VIAF identifies the subject as 122513562. 1 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1804, 1857, 1820 and 1842.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Ekaterina Telesheva”, its source revision and the description used here.
  2. Expand the search: follow Ekaterina Telesheva primary sources, Ekaterina Telesheva archive and Ekaterina research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Ekaterina Telesheva”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Ekaterina Telesheva” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.