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Egisto Lancerotto

Italian painter (1847-1916)

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 20, 2026
Entity authorityQ3720442 ↗
Source-derived summary

Egisto Lancerotto (August 21, 1847 – May 31, 1916) was an Italian painter, mainly of genre scenes of Venice.

Biography

He was born in Noale. His father, a bureaucrat in that town, was transferred to Venice when Egisto was young. Lancerotto attended the Venetian Accademia di Belle Arti, where his professors were Napoleone Nani, Michelangelo Grigoletti, Federico Moja, and Pompeo Marino Molmenti. The latter was likely his strongest influence.

Egisto began his career painting with figure paintings, and moved on to large historical paintings in period dress. One of his major works, Ballo di nozze, exhibited in 1887 at Venice. Gubernatis states that he understood the venetians of the street and the campiello, the worker, the porter, the gondolier, the elegant in tatters, the tobacco-smoking old man, the dirty and spoiled young man, and with a singular and rare acumen and keen discernment of their desires, instincts, and appetites.

Among his main works: Delusione sent to Salon of Paris, but lost en route: Le regate at Venice; Due Popolani ai Giardini; La festa degli sposi; Scuola di pittura; Da Mestre at Venice exhibited in 1881; Mezza festa; Breve respiro; Barcaiolo, exhibited at Turin in 1880; A pié d' un ponte; L'Albo, exhibited at Milan in 1881; Esposizione artistica; Loto della pollastra; Capitolo primo, exhibited at Rome in 1883; La Zingara; Preparativi for the notte del Redentore at Venice, sent to the Exhibition of Milan of 1884; Assedio di Florence; Convegno, exhibited at Turin; After the dispute; Fiori di maggio; and Monte Rosa.

Lancerotto died in Venice in 1916.

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“Egisto Lancerotto” enters the record as italian painter (1847-1916). Crown Archives preserves that source wording while asking what Egisto, Lancerotto and Italian can confirm, complicate or overturn.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1847, 1916, 1887, 1881—that can be checked directly. The authority record carries competing date values—1847-08-21, 1847—which should remain separate until their references and qualifiers are resolved. Its strongest next move is a source search built around Egisto, Lancerotto and Italian.
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“Egisto Lancerotto” is worth following because a concise public description often conceals a longer documentary argument. Here, Egisto, Lancerotto and Italian provides the most credible route into that argument.

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Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Jul 20, 2026. The linked authority identifier is Q3720442. VIAF identifies the subject as 10701040. The Library of Congress control number is no99072938. 3 of 4 selected statements include explicit references; 0 carry qualifiers and 1 use preferred rank. The first chronological checks are 1847, 1916, 1887 and 1881.

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Source & attribution

This entry incorporates text from “Egisto Lancerotto” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.