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Trouble over Bridgwater

2000 studio album by Half Man Half Biscuit

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionNov 4, 2025
Entity authorityQ7846432
Source-derived summary

Trouble over Bridgwater is the eighth album by UK rock band Half Man Half Biscuit, released in 2000. The title is a play on words, based on the Simon and Garfunkel classic, "Bridge over Troubled Water".

Release

The single "Look Dad No Tunes" released by Probe Plus Records on 3 September 1999.

John Peel, who admired the band, included "Look Dad No Tunes" at No. 11 in his 1999 Festive Fifty.

"Lock Up Your Mountain Bikes" parodies the traditional song "She'll Be Coming 'Round the Mountain".

Track listing

"Irk the Purists"

"Uffington Wassail"

"Third Track Main Camera Four Minutes"

"Nove on the Sly"

"Ballad of Climie Fisher"

"Gubba Look-a-Likes"

"Mathematically Safe"

"With Goth on Our Side"

"Used to Be in Evil Gazebo"

"Slight Reprise"

"It's Clichéd to Be Cynical at Christmas"

"Visitor for Mr Edmonds"

"Bottleneck at Capel Curig"

"Emerging from Gorse"

"Look Dad No Tunes"

"Twenty Four Hour Garage People"

Cultural references

Half Man Half Biscuit often make sly or direct references to celebrities, TV programmes, sportspeople, and to other tunes, lyrics and even literary classics. On this album, those identified include:

The CD inlay reproduces the title page of Old English Songs by the folk song collector John Broadwood (1798–1864)

"Irk the Purists" interpolates the hymn Oil in My Lamp and the Black Lace song Agadoo, and references many credible bands and pop artists

"Third Track Main Camera Four Minutes" quotes from Thomas Hardy's The Return of the Native

"Gubba Lookalikes" is a reference to Tony Gubba (1943–2013), a British sports commentator, best known for his football commentaries on BBC's Match of the Day in the 1980s and 1990s.

"With Goth on Our Side" references the Bob Dylan song "With God on Our Side".

"Used to Be in Evil Gazebo" references Nick Drake, Tindersticks, the murder of Tupac Shakur, and a non-credible band

"Slight Reprise" is a pun on The Bluetones' "Slight Return" and Jimi Hendrix's "Voodoo Child (Slight Return)"

The title "Twenty Four Hour Garage People" is a pun on Happy Mondays' "24 Hour Party People".

Editorial summary

Begin with the source’s own compact description: “Trouble over Bridgwater” is 2000 studio album by Half Man Half Biscuit. The dossier treats that line as a proposition to test through Trouble, over and Bridgwater, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—2000, 1999, 1798, 1864—that can be checked directly. The linked authority record independently contributes the date 2000. For this dossier, Trouble, over and Bridgwater is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “2000 studio album by Half Man Half Biscuit” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Nov 4, 2025. The linked authority identifier is Q7846432. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2000, 1999, 1798 and 1864.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Trouble over Bridgwater”, its source revision and the description used here.
  2. Expand the search: follow Trouble over Bridgwater primary sources, Trouble over Bridgwater archive and Trouble research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Trouble over Bridgwater”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from Trouble over Bridgwater” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.