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Dutchman (play)

play by Amiri Baraka

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 19, 2026
Entity authorityQ946566
Source-derived summary

Dutchman is a play written by playwright Amiri Baraka, then known as LeRoi Jones. Dutchman was first presented at the Cherry Lane Theatre in Greenwich Village, New York City, in March 1964 co-produced by Rita Fredricks. The play won an Obie Award; it shared this distinction with Adrienne Kennedy's Funnyhouse of a Negro. Baraka's stage play was made into a film in 1967, starring Shirley Knight and Al Freeman Jr. Dutchman was the last play produced by Baraka under his birth name, LeRoi Jones. At the time, he was in the process of divorcing his Jewish wife, Hettie Jones, embracing Black nationalism, and after lamenting the death of Malcolm X in 1965. Dutchman may be described as a political allegory depicting black and white relations during the time Baraka wrote it. With Dutchman and his other works, Baraka was a respected playwright in the Black Arts Movement and is considered a major African American literary figure alongside Phyllis Wheatley, Frederick Douglass, Paul Laurence Dunbar, Langston Hughes, Zora Neale Hurston, Richard Wright, and Ralph Ellison .

The play was revived for the first time off-Broadway in 2007 at the Cherry Lane Theatre starring Dulé Hill and Jennifer Mudge, and in 2013 and 2025 was restaged by Rashid Johnson at the Russian and Turkish Baths in the East Village.

Plot

Scene I

The action focuses almost exclusively on Lula, a mature 30-year-old white woman, and Clay, a 20-year-old young black man, who both ride the subway in New York City.

Editorial summary

“Dutchman (play)” enters the record as play by Amiri Baraka. Crown Archives preserves that source wording while asking what Dutchman, play and Amiri can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1964, 1967, 1965, 2007—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Dutchman, play and Amiri.
Editorial analysis

Why this record matters

“Dutchman (play)” is worth following because a concise public description often conceals a longer documentary argument. Here, Dutchman, play and Amiri provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 19, 2026. The linked authority identifier is Q946566. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1964, 1967, 1965 and 2007.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Dutchman (play)”, its source revision and the description used here.
  2. Expand the search: follow Dutchman (play) primary sources, Dutchman (play) archive and Dutchman research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Dutchman (play)”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Dutchman (play)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.