CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

Drums and Gods

2001 film by Georg Brintrup

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionDec 30, 2025
Entity authorityQ29592743 ↗
Source-derived summary

Drums and Gods is a 2001 German/Brazilian film directed by Georg Brintrup.

Plot

A Brazilian street boy, Antônio, wakes up early in the morning on the beach of Salvador (Bahia). At sunrise, he is overtaken by strange thoughts: The bible says that God created light even before the sun and the stars. Light, but not sunlight! Maybe the light is the light within our interior enlightenment. Nature's biggest catastrophe is when man began to think. However, before God created light, he said: “Let there be light!” So, before light there was the voice of God.

A sound ... a big bang ... the sound of thunder ...

Editorial summary

This brief starts where responsible research should: with the source description of “Drums and Gods” as 2001 film by Georg Brintrup. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—2001—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Drums, Gods and film can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 2001 film by Georg Brintrup. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Dec 30, 2025. The linked authority identifier is Q29592743. The first chronological checks are 2001.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Drums and Gods”, its source revision and the description used here.
  2. Expand the search: follow Drums and Gods primary sources, Drums and Gods archive and Drums research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Drums and Gods”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Drums and Gods” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.