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Drama Art Scene

first cultural-artistic society in Novi Sad

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 30, 2026
Entity authorityQ12757448 ↗
Source-derived summary

The Drama Art Scene (Serbian: Позорница драмске уметности / Pozornica dramske umetnosti; also known as the Drama Arts Scene - Serbian: Позорница драмских уметности / Pozornica dramskih umetnosti) is the first cultural-artistic society in Novi Sad that fostered theatrical amateurism and had a permanent professional scene, as well as correspondent and multimedial Correspondence Theatre (Serbian: Дописно позориште / Dopisno pozorište). This specific theater was formed on 3 March 1974 within the local community Rotkvarija in Novi Sad, Serbia (then former Yugoslavia).

Establishment

The founders of the Society in 1974 were:

Mladen Dražetin, writer,

Vladimir Stojanov, actor,

Desimir Stefanović, student,

Eleni Andoniadu, high school graduate,

Milorad Čubrilo, auto mechanic,

Svetlana Lazic, actress,

Dubravka Herget, clerk,

Mihajlo Molnar, economist,

Jovan Žekov, locksmith,

Eva Feldeždi, photographer.

Professional scene

Within the professional scene of the Drama Art Scene society, the following activities were developed:

Children's theater "Ante Laura" (Дечји театар "Анте Лаура" / Dečji teatar "Ante Laura")

Theatre for Adults "Milenko Šuvaković" (Театар за одрасле "Миленко Шуваковић" / Teatar za odrasle "Milenko Šuvaković")

The humorous theater "Novi Sad" (Хумористички театар "Нови Сад" / Humoristički teatar "Novi Sad")

The Tournament of Wittiness

From the humorous theater of the Drama Art Scene the Tournament of Wittiness (Serbian: Турнир духовитости / Turnir duhovitosti) has been developed. This Tournament was held by the idea of Mladen Dražetin and method of the Correspondence Theatre. It was organized by Ekspres Politika from 1977 to 1998. Under the motto "laughing on your own bill" ("Смех на свој цех", "Smeh na svoj ceh"), this competition between villages and cities took place via articles on pages of Belgrade daily newspaper, as well as via stage performances.

Performances

Within the Theatre, named after a former famous director of the Serbian National Theatre - Šuvaković, the most notable performance was the "Philistines" (Serbian: Малограђани / Malograđani) of Maxim Gorky, directed by Croatian director Dr. Vlatko Perković (in 1990). The famous actors of Serbian National Theatre (Ivan Hajtl, Feodor Tapavički, Novak Bilbija, Jelica Hadžić-Bjeli, etc.) also participated in this play.

Editorial summary

The public source identifies “Drama Art Scene” as first cultural-artistic society in Novi Sad. This brief keeps that definition visible, then builds a research path around Drama, Scene and first.

Editorial reviewMost valuable as an event-and-institution map that identifies actors, dates and record creators for deeper historical inquiry. The current lead gives the account dated anchors—1974, 1977, 1998, 1990—that can be checked directly. The linked authority record independently contributes the date 1974-03-03. Its value is orientation rather than verdict, with Drama, Scene and first providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Drama Art Scene”, the useful work is to connect “first cultural-artistic society in Novi Sad” to the records capable of establishing context and consequence.

Evidence profile

Chronology, provenance and viewpoint should be read together before a broad social or political interpretation is accepted. The source revision retrieved here is dated Aug 30, 2026. The linked authority identifier is Q12757448. Authority coordinates are 45.266, 19.810. 1 of 3 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1974, 1977, 1998 and 1990.

Critical limits

Later summaries often reconcile disputed chronology or motive more neatly than the contemporary record permits. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Compare institutional narratives with records created by participants and affected communities. Dates and formal titles are useful anchors, but not substitutes for context.

Best used for
  • Event chronology
  • Institutional context
  • Locating named record creators
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  2. Expand the search: follow Drama Art Scene primary sources, Drama Art Scene archive and Drama research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from “Drama Art Scene” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.