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Dog Eat Dog (1964 film)

1964 film by Ray Nazarro, Richard E. Cunha

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 8, 2026
Entity authorityQ1766017
Source-derived summary

Dog Eat Dog (released as Einer frisst den anderen in Germany) is a 1964 German crime drama film starring Jayne Mansfield, Cameron Mitchell, Dodie Heath, Ivor Salter, Isa Miranda, Elisabeth Flickenschildt, Werner Peters, and Pinkas Braun.

Filming occurred in late 1963 in Yugoslavia. Mansfield was pregnant with Mariska Hargitay during filming.

Plot

Three robbers, Lylle Corbett, Dolph Kostis, and Darlene, steal one million dollars from a shipment on its way to the United States. But instead of sharing the loot with Lylle, Dolph decides to kill him without Darlene's (who likes them both) knowledge. When returning to Darlene (his wife) at the Hotel Americano's, Dolph informs her that Lylle is out of the picture and that she should forget about him. Before Dolph's return, Darelene was visited by hotel manager Livio Morelli, requesting her to turn down the volume on her radio. Spotting a one-thousand-dollar bill under the edge of the bed, Livio quickly concluded that they are the robbers he heard about on the radio.

Dolph and Darlene make a get-away on a rental boat. They are unaware that the hotel manager's innocent looking sister, Sandra, is in the back of the boat and has planted a bomb to kill the pair.

Editorial summary

“Dog Eat Dog (1964 film)” enters the record as 1964 film by Ray Nazarro, Richard E. Cunha. Crown Archives preserves that source wording while asking what film, Nazarro and Richard can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1964, 1963—that can be checked directly. The authority record carries competing date values—1964-01-01, 1964-06-26—which should remain separate until their references and qualifiers are resolved. Its strongest next move is a source search built around film, Nazarro and Richard.
Editorial analysis

Why this record matters

“Dog Eat Dog (1964 film)” is worth following because a concise public description often conceals a longer documentary argument. Here, film, Nazarro and Richard provides the most credible route into that argument.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 8, 2026. The linked authority identifier is Q1766017. 2 of 2 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1964 and 1963.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Dog Eat Dog (1964 film)”, its source revision and the description used here.
  2. Expand the search: follow Dog Eat Dog (1964 film) primary sources, Dog Eat Dog (1964 film) archive and film research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Dog Eat Dog (1964 film)”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Dog Eat Dog (1964 film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.