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The Idiots (1998 film)

1998 film by Lars von Trier

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 2, 2026
Entity authorityQ775356 ↗
Source-derived summary

The Idiots (Danish: Idioterne) is a 1998 black comedy drama film written and directed by Lars von Trier. It is his first film made in compliance with the Dogme 95 Manifesto, and is also known as Dogme #2. It is the second film in Trier's “Golden Heart” trilogy, preceded by Breaking the Waves (1996) and succeeded by Dancer in the Dark (2000). It is among the first films to be shot entirely with digital cameras.

It was screened at the 1998 Cannes Film Festival and was nominated for the Palme d’Or, despite being met with widespread criticism upon release.

Plot

A seemingly anti-bourgeois group of adults spend their time seeking their "inner idiot" to release their inhibitions. They do so by behaving in public as if they were mentally disabled.

At a restaurant, the patrons are disturbed by the group's antics, which are barely contained by their supposed "handler", Susanne. The group refers to this behavior as "spassing", a neologism derived from "spasser", the Danish equivalent of "spaz". Unaware that the group is pretending, Karen, a single diner, is initially sympathetic to what she believes are their genuine disabilities.

Editorial summary

“The Idiots (1998 film)” enters the record as 1998 film by Lars von Trier. Crown Archives preserves that source wording while asking what Idiots, film and Lars can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1998, 1996, 2000—that can be checked directly. The authority record carries competing date values—1998-07-17, 1998-05-20, 1998-05-21, 1999-04-22—which should remain separate until their references and qualifiers are resolved. Its strongest next move is a source search built around Idiots, film and Lars.
Editorial analysis

Why this record matters

“The Idiots (1998 film)” is worth following because a concise public description often conceals a longer documentary argument. Here, Idiots, film and Lars provides the most credible route into that argument.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 2, 2026. The linked authority identifier is Q775356. VIAF identifies the subject as 199739737. 4 of 6 selected statements include explicit references; 4 carry qualifiers and 0 use preferred rank. The first chronological checks are 1998, 1996 and 2000.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Idiots (1998 film)”, its source revision and the description used here.
  2. Expand the search: follow The Idiots (1998 film) primary sources, The Idiots (1998 film) archive and Idiots research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Idiots (1998 film)”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “The Idiots (1998 film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.