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Docks of New Orleans

1948 film by Derwin Abrahams

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 8, 2026
Entity authorityQ5287237
Source-derived summary

Docks of New Orleans is a 1948 American mystery film directed by Derwin Abrahams and starring Roland Winters, Virginia Dale and Mantan Moreland. It featured Winters in his second appearance as Charlie Chan, having replaced Sidney Toler in the role.

Plot

Plot follows very closely that of Mr. Wong, Detective.

Cast

Roland Winters as Charlie Chan

Virginia Dale as Rene Blanchette

Mantan Moreland as Birmingham Brown

John Gallaudet as Capt. Pete McNalley

Victor Sen Yung as Tommy Chan

Carol Forman as Nita Aguirre

Douglas Fowley as Grock

Harry Hayden as Oscar Swenstrom

Howard Negley as Andre Pereaux

Stanley Andrews as Theodore Von Scherbe

Emmett Vogan as Henri Castanaro

Boyd Irwin as Simon Lafontanne

Rory Mallinson as Thompson

George J. Lewis as Police Sgt. Dansiger

Ferris Taylor as Dr. Doobie

Haywood Jones as Mobile Jones

Dian Fauntelle as Mrs. Swenstrom

Eric Wilton as Watkins the Butler

Wally Walker as LaFontanne's Chauffeur

Larry Steers as Doctor

References

Bibliography

Drew, Bernard A. Motion Picture Series and Sequels: A Reference Guide. Routledge, 2013.

Editorial summary

“Docks of New Orleans” enters the record as 1948 film by Derwin Abrahams. Crown Archives preserves that source wording while asking what Docks, Orleans and film can confirm, complicate or overturn.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1948, 2013—that can be checked directly. The linked authority record independently contributes the date 1948-01-01. Its strongest next move is a source search built around Docks, Orleans and film.
Editorial analysis

Why this record matters

“Docks of New Orleans” is worth following because a concise public description often conceals a longer documentary argument. Here, Docks, Orleans and film provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 8, 2026. The linked authority identifier is Q5287237. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1948 and 2013.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Docks of New Orleans”, its source revision and the description used here.
  2. Expand the search: follow Docks of New Orleans primary sources, Docks of New Orleans archive and Docks research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Docks of New Orleans”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Docks of New Orleans” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.