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Supercalifragilisticexpialidocious

song from the film and musical Mary Poppins

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 3, 2026
Entity authorityQ103 ↗
Source-derived summary

"Super­cali­fragilistic­expiali­docious" ( ) is a song and single from the 1964 Disney musical film Mary Poppins. It was written by the Sherman Brothers, and sung by Julie Andrews and Dick Van Dyke. It also appears in the 2004 stage show version.

Because Mary Poppins was a period piece set in 1910, songs that sounded similar to songs of the period were wanted. The movie version finished at #36 in AFI's 100 Years...100 Songs survey of top tunes in American cinema.

Story context

The song occurs in the chalk-drawing outing animated sequence, just after Mary Poppins wins a horse race. Flush with her victory, she is immediately surrounded by reporters who pepper her with questions and suggest that she is at a loss for words. Mary disagrees, saying that at least one word is appropriate for the situation, and begins the song with this very word.

Word meaning and general origin

The word is a compound word, and said by Richard Lederer in his book Crazy English to be made up of these words: super- (above), -cali- (beauty), -fragilistic- (delicate), -expiali- (to atone), and -docious (educable), with all of these parts combined meaning "atoning for being educable through delicate beauty".

The Oxford English Dictionary first records the word (with a spelling of "super­cali­flawjalistic­expiala­doshus") in the column titled "A-muse-ings" by Helen Herman in the Syracuse University Daily Orange, dated March 10, 1931.

Editorial summary

The public source identifies “Supercalifragilisticexpialidocious” as song from the film and musical Mary Poppins. This brief keeps that definition visible, then builds a research path around Supercalifragilisticexpialidocious, song and film.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1964, 2004, 1910, 1931—that can be checked directly. The linked authority record independently contributes the date 1964. Its value is orientation rather than verdict, with Supercalifragilisticexpialidocious, song and film providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Supercalifragilisticexpialidocious”, the useful work is to connect “song from the film and musical Mary Poppins” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 3, 2026. The linked authority identifier is Q103. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1964, 2004, 1910 and 1931.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Supercalifragilisticexpialidocious”, its source revision and the description used here.
  2. Expand the search: follow Supercalifragilisticexpialidocious primary sources, Supercalifragilisticexpialidocious archive and Supercalifragilisticexpialidocious research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Supercalifragilisticexpialidocious”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “Supercalifragilisticexpialidocious” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.