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Jamboree (1957 film)

1957 film by Roy Lockwood

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 25, 2026
Entity authorityQ6127827 ↗
Source-derived summary

Jamboree, known as Disc Jockey Jamboree in the United Kingdom, is a 1957 American rock and roll film directed by Roy Lockwood. Its story is about a boy and girl, Pete Porter and Honey Wynn (played respectively by Paul Carr and Freda Holloway), who become overnight sensations as a romantic singing duo who run into trouble when their squabbling managers (Kay Medford and Bob Pastene), try to turn them into solo acts. Against this backdrop in cameo performances appear some of the biggest names of rock and roll in the 1950s lip-syncing to their recordings.

Overview

Jamboree was among several musical films intended to capitalize on the popularity of rock and roll music, and appears to have derived its name from a show hosted by disc jockey Alan Freed that began airing over Radio Luxembourg in 1956, with Freed recording his featured segments while working for WINS in New York City. A rivalry developed during this time between Freed and Philadelphia DJ Dick Clark, who both appear in this film. Freed had pioneered rock and roll package tours as well as rock and roll movies (Rock Around the Clock, Don't Knock the Rock and Rock, Rock, Rock); however, U.S. Congressional hearings into payola practices in radio broadcasting eventually ruined Freed's career, while Clark's career was uninterrupted.

Jamboree was essentially a film where the storyline (romance and rivalry between two young rising singers and their managers) was secondary to the musical performances, and the film gained historical importance due to appearances by various performers and DJs.

Featured stars

Jamboree features influential American disc jockeys Alan Freed and Dick Clark appearing as themselves, along with a roster of international DJs in cameo roles and several leading rock, pop and country & rockabilly acts of the time. Clark acts as the host for a televised musical variety show within the film, with performances by Fats Domino ("Wait and See"); Buddy Knox ("Hula Love"); Jimmy Bowen ("Cross Over"); Charlie Gracie ("Cool Baby"); Jerry Lee Lewis ("Great Balls of Fire", in a version different from his Sun 45 release); Louis Lymon and the Teenchords ("Your Last Chance"); Carl Perkins ("Glad All Over"); Jodie Sands ("Sayonara"); Frankie Avalon ("Teacher's Pet"); Slim Whitman ("Unchain My Heart"); The Four Coins ("A Broken Promise"); and Count Basie and His Orchestra, with Joe Williams on vocals ("I Don't Like You No More"). Connie Francis overdubbed Freda Holloway's singing voice for the film, a taske she had previously provided on the film Rock!

Editorial summary

This brief starts where responsible research should: with the source description of “Jamboree (1957 film)” as 1957 film by Roy Lockwood. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1957, 1956—that can be checked directly. The linked authority record independently contributes the date 1957-01-01. The account is most persuasive where Jamboree, film and Lockwood can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 1957 film by Roy Lockwood. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Aug 25, 2026. The linked authority identifier is Q6127827. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1957 and 1956.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Jamboree (1957 film)”, its source revision and the description used here.
  2. Expand the search: follow Jamboree (1957 film) primary sources, Jamboree (1957 film) archive and Jamboree research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Jamboree (1957 film)”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “Jamboree (1957 film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.