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The Devil Pays Off

1941 film by John H. Auer

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 9, 2026
Entity authorityQ7729981
Source-derived summary

The Devil Pays Off is a 1941 American spy thriller film directed by John H. Auer and starring J. Edward Bromberg, Osa Massen and William Wright. It was produced and distributed by Republic Pictures. The film was nominated for an Academy Award for Best Sound Recording (Charles L. Lootens).

Plot

The former naval lieutenant Chris Waring is awakened by the police late time and delivered to Admiral Curtiss, his former commander. The admiral asks Waring for his support in an undercover operation. The op is about the shipowner Arnold Debrock, who sold ships to the United States but later got manipulated by enemy powers in a mysterious way. Since Curtiss knows that Chris is successful with women, he asks him to flirt with Debrocks's wife Valerie Avancen. Chris initially refuses to participate, but he changes his opinion in a short while after seeing Valerie boarding a ship to Havana and takes up the pursuit of the beautiful woman.

He actually succeeds in flirting viciously with Valerie and to get her to go with him to his cabin. There, however, they both meet, for Chris's great surprise, Joan Millard, the Admiral Curtiss's secretary.

Editorial summary

Begin with the source’s own compact description: “The Devil Pays Off” is 1941 film by John H. Auer. The dossier treats that line as a proposition to test through Devil, Pays and film, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1941—that can be checked directly. The linked authority record independently contributes the date 1941-01-01. For this dossier, Devil, Pays and film is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1941 film by John H. Auer” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 9, 2026. The linked authority identifier is Q7729981. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1941.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Devil Pays Off”, its source revision and the description used here.
  2. Expand the search: follow The Devil Pays Off primary sources, The Devil Pays Off archive and Devil research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Devil Pays Off”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from The Devil Pays Off” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.