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Research dossier · Arts & Letters

The Lion of Venice (film)

1924 film by Paul L. Stein

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 19, 2026
Entity authorityQ21869532 ↗
Source-derived summary

The Lion of Venice (German: Der Löwe von Venedig) is a 1924 German silent film directed by Paul L. Stein and starring Olaf Fjord, Grete Reinwald and Hanni Weisse.

The film's art direction was by Willy Reiber. It was made at the Emelka Studios in Munich.

Editorial summary

This brief starts where responsible research should: with the source description of “The Lion of Venice (film)” as 1924 film by Paul L. Stein. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1924—that can be checked directly. The linked authority record independently contributes the date 1924. The account is most persuasive where Lion, Venice and film can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 1924 film by Paul L. Stein. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Mar 19, 2026. The linked authority identifier is Q21869532. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1924.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Lion of Venice (film)”, its source revision and the description used here.
  2. Expand the search: follow The Lion of Venice (film) primary sources, The Lion of Venice (film) archive and Lion research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Lion of Venice (film)”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from “The Lion of Venice (film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.