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Dečija pesma

extended play by Disciplin A Kitschme

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionFeb 13, 2023
Entity authorityQ5268621
Source-derived summary

Dečija pesma (English: Children’s Song) is the second EP by the Serbian alternative rock band Disciplina Kičme, released by the Serbian record label PGP RTB in 1987. The EP features five different versions of the song "Dečija pesma", children, disco, early, hit and superior mix of the track. The song lyrics featured the verse "Nije dobro Bijelo Dugme; Nije dobra Katarina; Šta je dobro; Šta nam treba; Kičme, Kičme Disciplina") ("Bijelo Dugme is not good; Neither is Katarina; What is good; What we need; Kičme, Kičme Disciplina"). As guests on the EP appeared YU grupa guitarist Dragi Jelić, Ivan Vdović "VD", Srđan Todorović, who by that time was playing in Ekatarina Velika, and Roze Poze guitarist Željko Nikolić. Ironic cover versions of Robert Palmer's "Addicted to Love" and The Cult single "Love Removal Machine", recorded live at the Akademija club, also appeared on the EP.

Track listing

All tracks written by Zeleni Zub, except tracks 3, written by Ian Astbury and Billy Duffy, and 6, written by Robert Palmer.

Editorial summary

“Dečija pesma” enters the record as extended play by Disciplin A Kitschme. Crown Archives preserves that source wording while asking what Dečija, pesma and extended can confirm, complicate or overturn.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1987—that can be checked directly. The linked authority record independently contributes the date 1987-01-01. Its strongest next move is a source search built around Dečija, pesma and extended.
Editorial analysis

Why this record matters

“Dečija pesma” is worth following because a concise public description often conceals a longer documentary argument. Here, Dečija, pesma and extended provides the most credible route into that argument.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Feb 13, 2023. The linked authority identifier is Q5268621. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1987.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

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  2. Expand the search: follow Dečija pesma primary sources, Dečija pesma archive and Dečija research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from Dečija pesma” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.