CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

The Death Kiss

1932 film by Edwin L. Marin

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 11, 2026
Entity authorityQ3632584
Source-derived summary

The Death Kiss is a 1933 American pre-Code mystery film starring David Manners as a crusading studio writer, Adrienne Ames as an actress, and Bela Lugosi as a studio manager. The thriller features three leading players from the previous year's Dracula (Lugosi, Manners, and Edward Van Sloan), and was the first film directed by Edwin L. Marin.

The film was produced by KBS Productions at Tiffany Pictures and released by Sono Art-World Wide Pictures. The film's main plot devices was reused for the 1946 French film That's Not the Way to Die starring Erich von Stroheim. The film is currently in the public domain.

Plot

During the filming of a death scene of The Death Kiss, leading man Myles Brent is really shot and killed. Tonart Studios manager Joseph Steiner is assigned to handle the situation. The studio wants to pass it off as a simple accident, but screenwriter Franklyn Drew digs a bullet out of a wall and tells Homicide Detective Lieutenant Sheehan that it is a .38 caliber, while the guns used in the film are all .45s.

Sheehan finds a letter in the dead man's pocket, in which Brent wrote to his lawyer that Marcia Lane, his co-star and ex-wife, would not sign a release as beneficiary of his $200,000 life insurance policy. Chalmers, an alcoholic extra with a self-admitted grudge against Brent for getting him fired as head gaffer (electrician), is spotted trying to dispose of a loaded .38, but Drew points out that the gun has not been fired.

Editorial summary

This brief starts where responsible research should: with the source description of “The Death Kiss” as 1932 film by Edwin L. Marin. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1933, 1946—that can be checked directly. The linked authority record independently contributes the date 1932-01-01. The account is most persuasive where Death, Kiss and film can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 1932 film by Edwin L. Marin. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Apr 11, 2026. The linked authority identifier is Q3632584. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1933 and 1946.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Death Kiss”, its source revision and the description used here.
  2. Expand the search: follow The Death Kiss primary sources, The Death Kiss archive and Death research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Death Kiss”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from The Death Kiss” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.