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Days to Come (album)

2006 studio album by Bonobo

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 15, 2025
Entity authorityQ2370264 ↗
Source-derived summary

Days to Come is the third studio album by British musician Bonobo. It was released on 2 October 2006 on the Ninja Tune independent record label.

It has been released in two versions – a standard 1-disc edition (ZENCD119) and a limited edition (ZENCD119X) with a second disc containing instrumental versions of the album's vocal tracks.

Track listing

Tracks 1, 4, 5, 7, 8 and 11 are written and performed by Simon Green; others are credited as is.

Limited edition bonus disc

Use in media

The track "Ketto" featured in Skins and was also used in the advertisement for the launch of the Citroën C4 Picasso in 2007. "Nightlite" appeared on UEFA Champions League 2006–2007, and "Recurring" was used in a surfing film broadcast on Fuel TV.

"Hatoa" uses samples from the Pentangle song "Light Flight".

"If You Stayed Over" is featured in the episode "The Economist" of "LOST".

Awards

The album was voted Album of the Year in the 2006 Worldwide Awards on Gilles Peterson's BBC Radio 1 show.

In 2012 it was awarded a silver certification from the Independent Music Companies Association, which indicated sales of at least 20,000 copies throughout Europe.

Editorial summary

Begin with the source’s own compact description: “Days to Come (album)” is 2006 studio album by Bonobo. The dossier treats that line as a proposition to test through Days, Come and album, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2006, 2007, 2012—that can be checked directly. The linked authority record independently contributes the date 2006-10-02. For this dossier, Days, Come and album is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “2006 studio album by Bonobo” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 15, 2025. The linked authority identifier is Q2370264. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2006, 2007 and 2012.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Days to Come (album)”, its source revision and the description used here.
  2. Expand the search: follow Days to Come (album) primary sources, Days to Come (album) archive and Days research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Days to Come (album)”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from “Days to Come (album)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.