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David di Donatello for Best Production Design

annual Italian film award

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 27, 2026
Entity authorityQ3703466 ↗
Source-derived summary

The David di Donatello for Best Production Design (Italian: David di Donatello per la migliore scenografia), known as the David di Donatello per il miglior scenografo prior to 2018, is a film award presented annually by the Accademia del Cinema Italiano (ACI, Academy of Italian Cinema) to recognize outstanding efforts on the part of film production designers who have worked within the Italian film industry during the year preceding the ceremony. It was first presented during the 1981 edition of the David di Donatello award show. Since 2021, the award is shared with the set decorators.

Winners and nominees

Winners are indicated in bold.

1980s

1981

Mario Garbuglia – The Lady of the Camellias

Andrea Crisanti – Three Brothers

Luigi Scaccianoce – Fontamara

1982

Lorenzo Baraldi – Il marchese del Grillo

Andrea Crisanti – Talcum Powder

Dante Ferretti – Tales of Ordinary Madness

Lorenzo Baraldi – Portrait of a Woman, Nude

1983

Dante Ferretti – That Night in Varennes

Marco Ferreri – The Story of Piera

Gianni Sbarra – The Night of the Shooting Stars

1984

Dante Ferretti – And the Ship Sails On

Luciano Ricceri – Le Bal

Elena Ricci Poccetto – Where's Picone?

1985

Enrico Job – Carmen

Francesco Bronzi – Kaos

Enrico Fiorentini – A Proper Scandal

1986

Enrico Job – Camorra

Dante Ferretti – Ginger and Fred

Luciano Ricceri – Macaroni

1987

Dante Ferretti – The Name of the Rose

Mario Chiari – Via Montenapoleone

Luciano Ricceri – The Family

1988

Bruno Cesari, Osvaldo Desideri, and Ferdinando Scarfiotti – The Last Emperor

Danilo Donati – Intervista

Mario Garbuglia – Dark Eyes

1989

Danilo Donati – Francesco

Lucia Mirisola – 'O Re

Ferdinando Scarfiotti – Fair Game

1990s

1990

Dante Ferretti – The Voice of the Moon

Giantito Burchiellaro – The Bachelor

Amedeo Fago and Franco Velchi – Open Doors

Mario Garbuglia – The Miser

Franco Velchi – Dark Illness

1991

Paolo Biagetti and Luciano Ricceri – Captain Fracassa's Journey

Gianni Sbarra – The Sun Also Shines at Night

Andrea Crisanti – Everybody's Fine

Lucia Mirisola and Paola Comencini – In the Name of the Sovereign People

1992

Carlo Simi – Bix

Andrea Crisanti – The Stolen Children

Ezio Frigerio – The Inner Circle

1993

Gianna Sbarra – Fiorile

Giancarlo Muselli – Death of a Neapolitan Mathematician

Carlo Simi – The Valley of Stone

1994

Antonello Geleng – Cemetery Man

Giantito Burchiellaro – Sparrow

Enrico Fiorentini – For Love, Only for Love

1995

Andrea Crisanti – A Pure Formality

Giantito Burchiellaro – Sostiene Pereira

Gianni Quaranta – Farinelli

1996

Francesco Bronzi – The Star Maker

Enrico Job – The Nymph

Gianni Silvestri – Stealing Beauty

1997

Danilo Donati – Marianna Ucrìa

Giancarlo Basili – Nirvana

Giantito Burchiellaro – The Prince of Homburg

Andrea Crisanti – The Truce

Gianni Sbarra – The Elective Affinities

1998

Danilo Donati – Life Is Beautiful

Alberto Cottignoli and Stefano Tonelli – The Best Man

Luciano Ricceri – Kaputt Mundi

1999

Francesco Frigeri – The Legend of 1900

Giancarlo Basili – The Way We Laughed

Enrico Job – Ferdinando and Carolina

2000s

2000

Francesco Bronzi – Canone inverso

Marco Dentici – The Nanny

Antonello Geleng and Marina Pinzuti – Love in the Mirror (Amor nello specchio)

2001

Luciano Ricceri – Unfair Competition

Giancarlo Basili – The Son's Room

Francesco Frigeri – Malèna

2002

Luigi Marchione – The Prefession of Arms

Giancarlo Basili – Paz!

Francesco Frigeri – Vajont

2003

Danilo Donati – Pinocchio

Paolo Bonfini – The Embalmer

Giantito Burchiellaro – The Soul Keeper

Marco Dentici – My Mother's Smile

Simona Migliotti – Incantato

2004

Luigi Marchione – Singing Behind Screens

Paola Bizzarri – Agata and the Storm

Franco Ceraolo – The Best of Youth

Marco Dentici – What Will Happen to Us

Francesco Frigeri – Don't Move

2005

Andrea Crisanti – Sacred Heart

Giancarlo Basili – An Italian Romance

Francesca Bocca – After Midnight

Marco Dentici – The Life That I Want

Beatrice Scarpato – The Remains of Nothing

2006

Paola Comencini – Romanzo Criminale

Giancarlo Basili – The Caiman

Andrea Crisanti – The Goodbye Kiss

Carlo De Marino – Fuoco su di me

Maurizio Marchitelli – My Best Enemy

2007

Carlos Conti – Nuovomondo

Francesco Frigeri – Napoleon and Me

Tonino Zera – The Unknown Woman

Giuseppe Pirrotta – One Hundred Nails

Andrea Crisanti – The Lark Farm

2008

Francesco Frigeri – I Viceré

Paola Bizzarri – Days and Clouds

Giada Calabria – Quiet Chaos

Alessandra Mura – The Girl by the Lake

Tonino Zera – Hotel Meina

2009

Francesco Frigeri – The Demons of St.

Editorial summary

This brief starts where responsible research should: with the source description of “David di Donatello for Best Production Design” as annual Italian film award. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—2018, 1981, 2021, 1982—that can be checked directly. The linked authority record independently contributes the date 1981. The account is most persuasive where David, Donatello and Best can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as annual Italian film award. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jul 27, 2026. The linked authority identifier is Q3703466. None of the 1 selected statements returned an explicit reference. The first chronological checks are 2018, 1981, 2021 and 1982.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “David di Donatello for Best Production Design”, its source revision and the description used here.
  2. Expand the search: follow David di Donatello for Best Production Design primary sources, David di Donatello for Best Production Design archive and David research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “David di Donatello for Best Production Design”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “David di Donatello for Best Production Design” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.