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David Packer (artist)

American artist

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 29, 2026
Entity authorityQ98167166 ↗
Source-derived summary

David Packer (born January 2, 1960), is an English artist based in New York. He works in a variety of media: sculpture, drawing, and artist books.

Content and media

As a sculptor, Packer works primarily in ceramics, and has been described “as a master practitioner of architectural and technical ceramics”; however, he also has used found lumber and discarded industrial metal. often with “redundant technology imaging redundant industry.”

Exhibitions and residencies

Packer has exhibited in New York City at Garth Clark Gallery in 2002, where he also had three other group shows, and in the group show, Exit Biennial II, Traffic, at Exit Art, 2005, curated by Papo Colo and Jeanette Ingberman.

In 2006, during a three-month residency at the Kohler Arts/Industry program, Packer began a project creating full-size cast ceramic sculptures of V8 car engines, called The Last of the V8s. These sculptures were also included in the show The Moment at Hand at the John Michael Kohler Arts Center, as well as subsequently in galleries in New York, Chicago, and Seattle.

Collections and curating

Packer’s work is included in the public collections of the Carnegie Museum of Art, the John Michael Kohler Arts Center, and the Museum of Art and Design.

Travel and other projects

The first time Packer was a Fulbright Scholar to Morocco, in Fez in 2011, after three exhibitions of his own work there, he wrote a book on the diversity of Moroccan ceramics. The Earth has Three Colors: a celebration of Moroccan ceramics/ That same year, he received a Core Fulbright Scholar award to Morocco to continue research and promote his book.

Biography, education, and teaching

Packer was born in Amersham, England in 1960 and has lived in the United States since 1983, including Washington DC, Miami, Tallahassee and, since 1994, New York City.

Editorial summary

This brief starts where responsible research should: with the source description of “David Packer (artist)” as american artist. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1960, 2002, 2005, 2006—that can be checked directly. The linked authority record independently contributes the date 1960-01-02. The account is most persuasive where David, Packer and artist can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as american artist. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Jul 29, 2026. The linked authority identifier is Q98167166. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1960, 2002, 2005 and 2006.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “David Packer (artist)”, its source revision and the description used here.
  2. Expand the search: follow David Packer (artist) primary sources, David Packer (artist) archive and David research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “David Packer (artist)”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from “David Packer (artist)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.