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David Doyle (producer)

American television producer

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 6, 2026
Entity authorityQ5233063 ↗
Source-derived summary

David Doyle is an American television producer.

He has produced factual and entertainment television programs since 1995.

Doyle has developed and produced original factual and entertainment projects with numerous broadcast and cable networks and was at the heart of the televised poker boom, having produced nine distinct poker programs for four different networks including NBC’s Poker Superstars Invitational Tournament and ESPN’s United States Poker Championship. His varied career includes work on projects ranging from independent, single-camera documentaries such as the critically acclaimed PBS series Lords of the Mafia, to pilots, series and specials for cable nets including Sci Fi Channel, TNT, VH1, Travel Channel and Comedy Central, to live multi-camera broadcast specials such as the Academy Awards and the primetime Emmy Awards.

Doyle was the Vice President of Program Development and Production for Discovery Communications Animal Planet. During his tenure at Animal Planet Doyle made a significant impact on a variety of projects including the network’s most watched special to date, the primetime Emmy nominated Dragons: A Fantasy Made Real a.k.a. The Last Dragon (docudrama). Also, Meerkat Manor, the critically acclaimed wildlife docu-soap series that Doyle brought to the network, was watched by more households than any other series premiere in the network’s history and continues to perform so well in subsequent seasons that it has spawned a feature film, Flower: Queen of the Kalahari. Additionally, David was instrumental in developing timely programs on topical issues such as Tsunami: Animal Instincts and Animal Planet Heroes: Hurricane Rescues & Animal Planet Heroes: Hurricane Reunions as well as whimsical programs the likes of The World’s Ugliest Dog Competition, and the counter-programming stunt Puppy Bowl that garners over 7.5 million viewers on Super Bowl Sunday annually. Under Doyle’s watch, content improvements and ratings goals were achieved on such network program stalwarts as Mutual of Omaha’s Wild Kingdom, Planet’s Funniest Animals and the Animal Cops franchise.

Editorial summary

The public source identifies “David Doyle (producer)” as american television producer. This brief keeps that definition visible, then builds a research path around David, Doyle and producer.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1995—that can be checked directly. The linked authority record independently contributes the date 1901. Its value is orientation rather than verdict, with David, Doyle and producer providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “David Doyle (producer)”, the useful work is to connect “american television producer” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jun 6, 2026. The linked authority identifier is Q5233063. 1 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1995.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Tracing reception history
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  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

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Source & attribution

This entry incorporates text from “David Doyle (producer)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.