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Triadisches Ballett

ballet written by Oskar Schlemmer

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 22, 2026
Entity authorityQ318793 ↗
Source-derived summary

Triadisches Ballett (Triadic Ballet) is a ballet developed by Oskar Schlemmer. The ballet became the most widely performed avant-garde artistic dance and while Schlemmer was at the Bauhaus from 1921 to 1929, the ballet toured, helping to spread the ethos of the Bauhaus.

History

The Triadisches Ballett was conceived in 1912 in Stuttgart in a cooperation between the dance troupe of Albert Burger (1884–1970) and his wife Elsa Hötzel (1886–1966) and Oskar Schlemmer. Parts of the ballet were performed in 1915, but though Burger asked Arnold Schoenberg to write the score ("Your music, which I know from the local concert, seemed to me to be the only one suitable for my ideas") he had no success so Schlemmer and the Burgers performed to music by Enrico Bossi. It premiered in the Stuttgart landestheater on 30 September 1922, with music composed by Paul Hindemith, re the Stuttgart Ballet. It was also performed in 1923 during the Bauhaus Week at the Nationaltheater, Weimar, and at the Annual Exhibition of German Crafts, Dresden.

Synopsis

Inspired in part by Schoenberg's Pierrot Lunaire and his observations and experiences during the First World War, Oskar Schlemmer began to conceive of the human body as a new artistic medium. He saw ballet and pantomime as free from the historical baggage of theatre and opera and thus able to present his ideas of choreographed geometry, man as dancer, transformed by costume, moving in space.

The idea of the ballet was based on the principle of the trinity. It has 3 acts, 3 participants (2 male, 1 female), 12 dances and 18 costumes.

Editorial summary

Begin with the source’s own compact description: “Triadisches Ballett” is ballet written by Oskar Schlemmer. The dossier treats that line as a proposition to test through Triadisches, Ballett and ballet, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1921, 1929, 1912, 1884—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Triadisches, Ballett and ballet is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “ballet written by Oskar Schlemmer” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 22, 2026. The linked authority identifier is Q318793. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1921, 1929, 1912 and 1884.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Triadisches Ballett”, its source revision and the description used here.
  2. Expand the search: follow Triadisches Ballett primary sources, Triadisches Ballett archive and Triadisches research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Triadisches Ballett”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “Triadisches Ballett” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.