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The Futureheads (album)

2004 album by The Futureheads

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 10, 2024
Entity authorityQ1146154 ↗
Source-derived summary

The Futureheads is the debut studio album by British rock band the Futureheads. It was released on 12 July 2004 and spawned the singles "First Day", "Decent Days and Nights", "Meantime", and "Hounds of Love" (a Kate Bush cover). The album received critical praise and was re-released as a special edition in 2005 featuring a DVD and coming with a slightly re-designed cover in pink rather than the standard LP's grey.

Release

The album's artwork was inspired by the painting Lonely Man by Damien Poulain. Music videos for "Decent Days and Nights", "A to B" and "First Day" were directed by Alex Smith of production company Black Dog Films, the video for "Hounds of Love" was directed by Patrick Daughters, also of Black Dog Films, and the video for "Meantime" was directed by Sam Arthur of production company Academy Films.

Radio mixes of "Decent Days and Nights" and "Hounds of Love", mixed by Chris Lord-Alge, were included on the 2005 reissue of the album.

The album was named the 33rd best record of 2004 by Pitchfork.

Track listing

All songs written by the Futureheads, except where noted.

Personnel

Personnel per booklet.

Editorial summary

“The Futureheads (album)” enters the record as 2004 album by The Futureheads. Crown Archives preserves that source wording while asking what Futureheads and album can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—2004, 2005—that can be checked directly. The linked authority record independently contributes the date 2004. Its strongest next move is a source search built around Futureheads and album.
Editorial analysis

Why this record matters

“The Futureheads (album)” is worth following because a concise public description often conceals a longer documentary argument. Here, Futureheads and album provides the most credible route into that argument.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Sep 10, 2024. The linked authority identifier is Q1146154. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2004 and 2005.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Futureheads (album)”, its source revision and the description used here.
  2. Expand the search: follow The Futureheads (album) primary sources, The Futureheads (album) archive and Futureheads research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Futureheads (album)”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from “The Futureheads (album)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.