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Dance in Cambodia

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 1, 2026
Entity authorityQ3015614 ↗
Source-derived summary

Dance in Cambodia (Khmer: របាំ robam) consists of three main categories: classical dance of the royal court, folk dance which portrays cultural traditions, and social dances performed in social gatherings.

Classical dance

Cambodia's premier performing art form is Khmer classical dance, or Robam Preah Reach Trop, a highly stylized dance form originating from the royal courts. Originally performed and maintained by attendants of the royal palaces, Khmer classical dance was introduced to the general public in the mid-20th century and became widely celebrated as iconic of Cambodian culture, often performed during public events, holidays, and for tourists visiting Cambodia.

Performances feature elaborately costumed dancers performing slow and figurative gestures to the musical accompaniment of a pinpeat ensemble. The classical repertoire includes dances of tribute or invocation and the enactment of traditional stories and epic poems such as the Ramayana. Two of the most performed classical dances are the Robam Chuon Por ("Wishing dance") and the Robam Tep Apsara ("Apsara dance").

Other names for Khmer classical dance include "Cambodian court dance" and "the royal ballet of Cambodia", although the latter term can also refer to the National Dance Company of Cambodia. In Khmer, it is formally known as Robam Preah Reach Trop (របាំព្រះរាជទ្រព្យ, lit. "dances of royal wealth") or Lakhon Preah Reach Trop (ល្ខោនព្រះរាជទ្រព្យ, lit. "theatre of royal wealth").

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“Dance in Cambodia” enters the record as open-knowledge reference entry. Crown Archives preserves that source wording while asking what Dance, Cambodia and Open-knowledge can confirm, complicate or overturn.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current 218-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Dance, Cambodia and Open-knowledge.
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“Dance in Cambodia” is worth following because a concise public description often conceals a longer documentary argument. Here, Dance, Cambodia and Open-knowledge provides the most credible route into that argument.

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Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Mar 1, 2026. The linked authority identifier is Q3015614. None of the 0 selected statements returned an explicit reference.

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This entry incorporates text from “Dance in Cambodia” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.