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Dafydd y Garreg Wen

traditional Welsh musical air and folk song

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 26, 2026
Entity authorityQ3398838 ↗
Source-derived summary

Dafydd y Garreg Wen is a traditional Welsh musical air and folk song.

There is a tradition that the tune was composed by David Owen (1712–1741), a harpist and composer who lived near Porthmadog in Caernarfonshire. He was known locally as Dafydd y Garreg Wen (English: David of the White Rock). Y Garreg Wen was the name of the farm where he lived near Morfa Bychan. There is a tradition that as Owen lay on his death bed, he called for his harp and composed the tune of the haunting song. He died at the age of 29 and was buried at St Cynhaearn's Church near Porthmadog.

The first printed appearance of the melody is in Edward Jones's Musical and Poetical Relicks of the Welsh Bards (1784)

The words were added more than a hundred years later by the poet John Ceiriog Hughes (1832–1887).

A more literal translation would be:-

'Carry', said David, 'my harp to me'

I would like, before dying, to give a tune on it (her)

Lift my hands to reach the strings

God bless you, my widow and children!

Last night I heard an angel's voice like this:

"David, come home and play through the glen!"

Harp of my youth, farewell to your strings!

God bless you, my widow and children!

Editorial summary

Begin with the source’s own compact description: “Dafydd y Garreg Wen” is traditional Welsh musical air and folk song. The dossier treats that line as a proposition to test through Dafydd, Garreg and traditional, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1712, 1741, 1784, 1832—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Dafydd, Garreg and traditional is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “traditional Welsh musical air and folk song” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jul 26, 2026. The linked authority identifier is Q3398838. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1712, 1741, 1784 and 1832.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

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  2. Expand the search: follow Dafydd y Garreg Wen primary sources, Dafydd y Garreg Wen archive and Dafydd research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from “Dafydd y Garreg Wen” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.