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The Big Parade (1986 film)

1986 film by Chen Kaige

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 4, 2026
Entity authorityQ3209537
Source-derived summary

The Big Parade (simplified Chinese: 大阅兵; traditional Chinese: 大閱兵; pinyin: Dà Yuèbīng) is a 1986 Chinese drama film directed by Chen Kaige and with Zhang Yimou as cinematographer. It tells the story of a tough drill sergeant and his raw recruits.

Today, the film stands somewhat in the shadows to Chen Kaige's better-known works, including his directorial debut Yellow Earth and the Palme d'Or winning Farewell, My Concubine.

Contents

The film was commissioned to commemorate the 1984 National Day parade. It was the second collaboration between Chen Kaige (director), Zhang Yimou (cinematographer), and He Qun (art director).

The film follows a group of soldiers through the difficult training required for participation in the National Day parade for the 35th anniversary of the founding of the People's Republic of China. The soldiers, who have a high degree of visual cohesion, are differentiated over the course of the film through characterization as they address their individual challenges and the challenging training regimen.

The Big Parade is often seen as an exploration of the relationship of collectivism versus individualism. At the time, however, some western critics, including the New York Times, took the film at face value, seeing it as propagandist and describing it as a "boot camp" film. The New York Times, in particular, derided the film as a "Recruiting Poster for Collective Action." If critics felt that this was merely China's newest propaganda film, this was due in part to the heavy hand of the Chinese Film Bureau.

Editorial summary

Begin with the source’s own compact description: “The Big Parade (1986 film)” is 1986 film by Chen Kaige. The dossier treats that line as a proposition to test through Parade, film and Chen, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1986, 1984—that can be checked directly. The linked authority record independently contributes the date 1986-01-01. For this dossier, Parade, film and Chen is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1986 film by Chen Kaige” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 4, 2026. The linked authority identifier is Q3209537. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1986 and 1984.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Big Parade (1986 film)”, its source revision and the description used here.
  2. Expand the search: follow The Big Parade (1986 film) primary sources, The Big Parade (1986 film) archive and Parade research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Big Parade (1986 film)”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from The Big Parade (1986 film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.