DJ Hyper
British musician

Guy James Hatfield (born 23 February 1977) better known by his stage name DJ Hyper or just Hyper, is a British DJ, producer and remixer, known for his use of live bass, guitars and uncompromising vocals. He has done remixes for artists such as BT and Paul Van Dyk and his music has been featured on TV and in trailers and video games.
Hyper has releases on labels such as Distinct'ive Breaks Records, Bedrock Records, and Positiva Recordings. He has also performed as a band featuring The Prodigy's members Leeroy Thornhill and Jim Davies along with co-producer John Ross on drums. Their first studio album We Control advanced Hyper to the stages of festivals, including Glastonbury, The Glade, the Sziget Festival in Hungary and Coliseo Ciudad de Atarfe in Spain. Their second album Suicide Tuesday was released in September 2008.
Hyper is currently under his own Kilowatt label.
Music career
Hyper released his debut album We Control in 2005, where he incorporated live instrumentation such as guitars and bass and fused it with his newer electronic sound. The album led to a world tour, which included Fuji Rock Festival in Japan, Roskilde in Denmark and even Glastonbury in his native United Kingdom. In 2009, Hyper released the single "Pitch Bitch" with JHz on Kilowatt Recordings.
“DJ Hyper” enters the record as british musician. Crown Archives preserves that source wording while asking what Hyper, British and musician can confirm, complicate or overturn.
Why this record matters
“DJ Hyper” is worth following because a concise public description often conceals a longer documentary argument. Here, Hyper, British and musician provides the most credible route into that argument.
Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Aug 28, 2026. The linked authority identifier is Q4036906. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1977, 2008, 2005 and 2009.
Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.
- Establishing names and roles
- Building a first chronology
- Locating cited institutions
Personal papers, civil or court records, institutional files and the scholarship cited by the source.
Three-step research path
- Establish the record: confirm the title “DJ Hyper”, its source revision and the description used here.
- Expand the search: follow DJ Hyper primary sources, DJ Hyper archive and Hyper research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “DJ Hyper”?
- Which claims depend on a single source or contested interpretation?
- How has the subject’s reputation changed across later accounts?
Search terms from this dossier
This entry incorporates text from “DJ Hyper” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.