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D-Black

Ghanaian hip-hop musician

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 24, 2026
Entity authorityQ21005496
Source-derived summary

Desmond Kwesi Blackmore (born 12 January 1987), known by his stage name D-Black, is an anglophone hip-hop and Afrobeat musician and entrepreneur from Ghana. He has been described as "a successful entertainment mogul"

Early life

D-Black attended Ridge Church School then Pope John Senior High School and Minor Seminary before the University of Cape Coast to study B.A Economics and University Of Ghana, Legon to study BFA Theatre Arts/Music.

Personal life

D-Black was born to a Ghanaian mother, Adeline Boateng, and a Ghanaian-English father, John Derek Blackmore. He has three children. D-Black has nine siblings.

Career

In 2009, D-Black began his career as an independent artist in the group D-Black & Kwaku T, releasing a group album, Target Practice. In 2010 D-Black and his rap partner both went solo. He went on to release three albums (Music, Love and Life, The Revelation and Lightwork), an E.P (Smoke and Mirrors) and a mix-tape (Hunger & Thirst). He won the 2011 BET Awards.

D-Black has worked with Nigerian artists Davido and Phyno, South African artists Cassper Nyovest and Bucie, and East African artists Vanessa Mdee.

Editorial summary

Begin with the source’s own compact description: “D-Black” is ghanaian hip-hop musician. The dossier treats that line as a proposition to test through D-Black, Ghanaian and hip-hop, not as a finished interpretation.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1987, 2009, 2010, 2011—that can be checked directly. The linked authority record independently contributes the date 1986-01-12. For this dossier, D-Black, Ghanaian and hip-hop is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “ghanaian hip-hop musician” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Aug 24, 2026. The linked authority identifier is Q21005496. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1987, 2009, 2010 and 2011.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “D-Black”, its source revision and the description used here.
  2. Expand the search: follow D-Black primary sources, D-Black archive and D-Black research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “D-Black”?
  2. Which claims depend on a single source or contested interpretation?
  3. Which primary records establish identity, chronology and institutional ties?
Subject index

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Source & attribution

This entry incorporates text from D-Black” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.