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Emma de la Barra

Argentinian writer

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 14, 2026
Entity authorityQ5796205 ↗
Source-derived summary

Emma de la Barra, known by the pseudonym César Duáyen, (1861-1947) was an Argentine writer, best known for her novels Stella (1905) and Mecha Iturbe (1906) which were praised for their portrayal of modern women. She is closely associated with the Costumbrismo movement. Stella became the first best-seller in the country, and in 1943 it was adapted into a film starring Zully Moreno as the character of Stella. Other notable works include El Manantial (1908), Eleonora (1933) and La dicha de Malena (1943).

Editorial summary

Begin with the source’s own compact description: “Emma de la Barra” is argentinian writer. The dossier treats that line as a proposition to test through Emma, Barra and Argentinian, not as a finished interpretation.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1861, 1947, 1905, 1906—that can be checked directly. The linked authority record independently contributes the date 1861. For this dossier, Emma, Barra and Argentinian is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “argentinian writer” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated May 14, 2026. The linked authority identifier is Q5796205. VIAF identifies the subject as 53164418. The Library of Congress control number is n86024459. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1861, 1947, 1905 and 1906.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Emma de la Barra”, its source revision and the description used here.
  2. Expand the search: follow Emma de la Barra primary sources, Emma de la Barra archive and Emma research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Emma de la Barra”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which primary records establish identity, chronology and institutional ties?
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Source & attribution

This entry incorporates text from “Emma de la Barra” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.