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El Retorno de Walpurgis

1973 film by Carlos Aured

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 17, 2026
Entity authorityQ3202905 ↗
Source-derived summary

El Retorno de Walpurgis (The Return of Walpurgis, also known as Curse of the Devil) is a 1973 Mexican-Spanish co-production horror film that is the seventh in a twelve-film series about the werewolf Count Waldemar Daninsky, played by Paul Naschy. This film ignored the events in all of the earlier Wolf Man films and began an entirely new origin for el Hombre Lobo, which is strange because the film's Spanish title The Return of Walpurgis seems to tie it in with Naschy's earlier 1970 film Walpurgis Night. The Wolf Man makeup was done by Fernando Florido. The film was shot in June 1973, and by September, it was already in theaters in Spain, as El Retorno de Walpurgis. It wasn't released theatrically in the U.S. however until 1976, as Curse of the Devil.

It was shown in Germany originally on August 7, 1974, as Night of the Diabolical Orgy, then was re-released on October 7, 1974, as Die Todeskralle des Grausamen Wolfes / Death Claws of the Cruel Wolves. Mexico released it as Night of the Killer, France as L'Empreinte de Dracula / The Mark of Dracula, and Belgium as Return of the Loup Garous.

This was the last film that Naschy worked on with director Carlos Aured. As soon as the film was completed, Aured became very cold toward Naschy and never again asked him to work with him. Naschy said in his autobiography that he never understood why Aured acted that way toward him, but he surmised that perhaps Aured thought Naschy was becoming too controlling on their collaborations, since Naschy was not only starring in the films, he was also involved in writing and casting them.

Editorial summary

Begin with the source’s own compact description: “El Retorno de Walpurgis” is 1973 film by Carlos Aured. The dossier treats that line as a proposition to test through Retorno, Walpurgis and film, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1973, 1970, 1976, 1974—that can be checked directly. The authority record carries competing date values—1973-09-26, 1974-08-23, 1975-02-02, 1976-05-27—which should remain separate until their references and qualifiers are resolved. For this dossier, Retorno, Walpurgis and film is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1973 film by Carlos Aured” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Jul 17, 2026. The linked authority identifier is Q3202905. 7 of 7 selected statements include explicit references; 7 carry qualifiers and 0 use preferred rank. The first chronological checks are 1973, 1970, 1976 and 1974.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “El Retorno de Walpurgis”, its source revision and the description used here.
  2. Expand the search: follow El Retorno de Walpurgis primary sources, El Retorno de Walpurgis archive and Retorno research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “El Retorno de Walpurgis”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “El Retorno de Walpurgis” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.