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Cuban Institute of Cinematographic Art and Industry

Cuban film organization

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 15, 2026
Entity authorityQ383342 ↗
Source-derived summary

The Cuban Institute of Cinematographic Art and Industry (ICAIC, Instituto Cubano del Arte e Industria Cinematográficos) was established by the Cuban government in March 1959 after the Cuban Revolution. Its prominent members are Sara Gómez, Tomás Gutiérrez Alea, Julio García Espinosa, Alfredo Guevara and Santiago Álvarez.

The ICAIC is an organization of the film industry to produce, distribute and exhibit films and related work following the Cuban Revolution. Its aim is to use film as a powerful mass communication medium to mobilize and educate people, improve the quality of Cuba films with appreciation among the masses and reach a wide public. Through educating the new generation of young directors, one of its responsibilities is to transform Cuba from a country of cinematic consumption to one of production.

History of the ICAIC

The creation of the ICAIC

Following the success of the Cuban Revolution in 1959, the new Cuban government viewed the film industry as an instrument of social change. Cuba prioritized film as a communications strategy to build revolutionary culture. The Cuban government invested substantial funds for public investment in both film production and film exhibition. These efforts led to the creation of the Cuban Institute of Cinematographic Art and Industry (ICAIC). Under the conception of ICAIC “cinema is an art”, and cinema constitutes “an instrument of opinion and formation of individual and collective consciousness”.

Editorial summary

This brief starts where responsible research should: with the source description of “Cuban Institute of Cinematographic Art and Industry” as cuban film organization. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1959—that can be checked directly. The linked authority record independently contributes the date 1959. The account is most persuasive where Cuban, Institute and Cinematographic can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as cuban film organization. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jun 15, 2026. The linked authority identifier is Q383342. VIAF identifies the subject as 138993727. The Library of Congress control number is n85171103. 2 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1959.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Cuban Institute of Cinematographic Art and Industry”, its source revision and the description used here.
  2. Expand the search: follow Cuban Institute of Cinematographic Art and Industry primary sources, Cuban Institute of Cinematographic Art and Industry archive and Cuban research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Cuban Institute of Cinematographic Art and Industry”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “Cuban Institute of Cinematographic Art and Industry” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.