Crucifixion Between Saints Jerome and Christopher
painting by Pinturicchio

The Crucifixion Between Saints Jerome and Christopher is a painting by the Italian Renaissance master Pinturicchio, painted around 1475 and housed in the Borghese Gallery of Rome, Italy.
It is one of the earliest known works by the Umbrian painter, after some of the panels of the Miracles of Saint Bernardino cycle (1473).
Description
The work depicts the Crucifixion on a river valley background, whose small details show the influence of Flemish painting. On the left-hand side is the penitent Saint Jerome, with the traditional symbols of the tamed lion, the cardinal's hat on the ground, and a stone used to beat his chest. On the right is Saint Christopher holding a martyr's palm and looking at the Christ Child on his shoulder; the latter holds an apple and wears a coif, an element which is present in other early works by Pinturicchio such as the Madonna with Blessing Child in the National Gallery, London.
The work shares the same preparatory drawing, and perhaps the cartoon, of a work by Fiorenzo di Lorenzo.
Sources
Acidini, Cristina (2004). "Pintoricchio". Pittori del Rinascimento. Florence: Scala.
This brief starts where responsible research should: with the source description of “Crucifixion Between Saints Jerome and Christopher” as painting by Pinturicchio. Everything that follows is an evidence route, not borrowed authority.
Why this record matters
The subject matters to the arts & letters register because the source frames it as painting by Pinturicchio. Its deeper value depends on whether names, dates, institutions and citations support that framing.
Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Jun 26, 2026. The linked authority identifier is Q3698268. 1 of 1 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1475, 1473 and 2004.
Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
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This entry incorporates text from “Crucifixion Between Saints Jerome and Christopher” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.