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Crocodile Love

album by Juluka

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 27, 2022
Entity authorityQ5187386
Source-derived summary

Crocodile Love is the final studio album from Juluka, a South African band led by Johnny Clegg and Sipho Mchunu. It was first released in 1997. It was entitled Ya Vuka Inkunzi - The Bull has Risen in South Africa.

Track listing

Love Is Just A Dream (Tatazela)

Crocodile Love

Tholakele

My Big Lady (Studla Sami)

Isoka Lizo Kuthatha

Journey's End (Emalonjeni)

Umuzi Wami

Circle Of Light

Thandazani

Ubaba Akalele

Makhelwane

Crocodile Love (remix)

Crocodile Love (extended remix)

Laduma (South Africa World Cup Anthem)

The last three tracks did not appear on Ya Vuka Inkunzi.

Editorial summary

The public source identifies “Crocodile Love” as album by Juluka. This brief keeps that definition visible, then builds a research path around Crocodile, Love and album.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1997—that can be checked directly. The linked authority record independently contributes the date 1997. Its value is orientation rather than verdict, with Crocodile, Love and album providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Crocodile Love”, the useful work is to connect “album by Juluka” to the records capable of establishing context and consequence.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Apr 27, 2022. The linked authority identifier is Q5187386. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1997.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Crocodile Love”, its source revision and the description used here.
  2. Expand the search: follow Crocodile Love primary sources, Crocodile Love archive and Crocodile research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Crocodile Love”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from Crocodile Love” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.