The Count of Monte Cristo
novel by Alexandre Dumas
The Count of Monte Cristo (French: Le Comte de Monte-Cristo) is an adventure novel by the French writer Alexandre Dumas. It was serialised from 1844 to 1846, then published in book form in 1846. It is one of his most popular works, along with The Three Musketeers (1844) and Man in the Iron Mask (1850). Like many of his novels, it was expanded from plot outlines suggested by his collaborating ghostwriter, Auguste Maquet. It is regarded as a classic of French and world literature.
The novel is set in France, Italy, and islands in the Mediterranean Sea during the historical events of 1815–1839, the era of the Bourbon Restoration through the reign of Louis Philippe I. It begins on the day when Napoleon left his first island of exile, Elba, beginning the Hundred Days period of his return to power. The historical setting is fundamental to the narrative. The Count of Monte Cristo explores themes of hope, justice, vengeance, mercy and forgiveness.
It follows the life of Edmond Dantès, a young sailor who is falsely accused of treason, and imprisoned in the prison Château d’If. There, he meets Abbé Faria, who educates him and reveals the location of a hidden treasure on the island of Monte Cristo.
Begin with the source’s own compact description: “The Count of Monte Cristo” is novel by Alexandre Dumas. The dossier treats that line as a proposition to test through Count, Monte and Cristo, not as a finished interpretation.
Why this record matters
The phrase “novel by Alexandre Dumas” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.
Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 18, 2026. The linked authority identifier is Q191838. VIAF identifies the subject as 177357373. 2 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1844, 1846, 1850 and 1815.
Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “The Count of Monte Cristo”, its source revision and the description used here.
- Expand the search: follow The Count of Monte Cristo primary sources, The Count of Monte Cristo archive and Count research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “The Count of Monte Cristo”?
- Where is authorship, date or provenance documented?
- Which edition, object, performance or recording is being described?
Search terms from this dossier
This entry incorporates text from “The Count of Monte Cristo” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.