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Conquering the Woman

1922 film by King Vidor

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 26, 2026
Entity authorityQ3207749 ↗
Source-derived summary

Conquering the Woman is a 1922 American silent drama film directed by King Vidor. A print of the film exists at the Cinematheque Royale de Belgique in Belgium.

Plot

As described in a film magazine, Judith Stafford (Vidor) returns to her San Francisco home after a lengthy sojourn abroad during which Aunt Sophia (Brundage), a social climber, was her chaperon. While aqua-planing off the south coast of France, Judith intentionally falls off her plane and is very much annoyed when Larry Saunders (Butler) of Oklahoma, whose yacht is nearby, dives to her rescue. Judith berates Larry and she swims to the boat of her host, Count Henri (Burke). Later, when Larry comes to San Francisco, he visits his old friend Tobias Stafford (Sprotte), and is amazed to discover that Judith is Tobey's daughter. Judith becomes engaged to the Count. Her father opposes this match and tricks her and Larry on board one of his merchant ships. He gives Captain Sandy MacTavish (Todd) certain orders which result in Judith and Larry being marooned on an uninhabited island in the South Seas. Larry tries drastic means of taming Judith but is unsuccessful.

Editorial summary

“Conquering the Woman” enters the record as 1922 film by King Vidor. Crown Archives preserves that source wording while asking what Conquering, Woman and film can confirm, complicate or overturn.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1922—that can be checked directly. The linked authority record independently contributes the date 1922-01-01. Its strongest next move is a source search built around Conquering, Woman and film.
Editorial analysis

Why this record matters

“Conquering the Woman” is worth following because a concise public description often conceals a longer documentary argument. Here, Conquering, Woman and film provides the most credible route into that argument.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Aug 26, 2026. The linked authority identifier is Q3207749. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1922.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Conquering the Woman”, its source revision and the description used here.
  2. Expand the search: follow Conquering the Woman primary sources, Conquering the Woman archive and Conquering research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Conquering the Woman”?
  2. Which claims depend on a single source or contested interpretation?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from “Conquering the Woman” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.