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Con Conrad

American songwriter, record producer (1891-1938)

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 27, 2026
Entity authorityQ443047
Source-derived summary

Conrad K. Dober June 18, 1891 – September 28, 1938), composing and publishing under the name Con Conrad, was an American songwriter and Broadway producer. He wrote numerous scores for stage and film, as well as several jazz and pop standards.

He co-wrote the jazz and pop standard "Margie" and the Grammy Hall of Fame inductee "Singin' the Blues".

He was inducted in the Songwriters Hall of Fame in 1979.

Biography

Conrad was born in Manhattan, New York, and published his first song, "Down in Dear Old New Orleans", in 1912. Conrad produced the Broadway show The Honeymoon Express, starring Al Jolson, in 1913.

By 1918, Conrad was writing and publishing with Henry Waterson (1873–1933). He co-composed "Margie" in 1920 with J. Russel Robinson and lyricist Benny Davis, which became his first major hit. He went on to compose hits that became standards, including:

"Palesteena" with co-composer and co-lyricist J. Russel Robinson (1920)

"Singin' the Blues" with co-composer J. Russel Robinson and lyricists Sam M. Lewis and Joe Young (1920)

"You've Got to See Mama Ev'ry Night" with co-composer and co-lyricist Billy Rose (1923)

"Come on Spark Plug" with co-composer and co-lyricist Billy Rose (1923)

"Barney Google" with co-composer and co-lyricist Billy Rose (1923)

"Memory Lane" with lyricist Buddy DeSylva and co-composer Larry Spier (1924)

"Lonesome and Sorry" with lyricist Benny Davis (1926)

"Ma! He's Making Eyes at Me" with lyricist Sidney Clare (1928)

Stage and film

In 1923, Conrad focused on the stage and wrote the scores for the Broadway shows: The Greenwich Village Follies, Moonlight, Betty Lee, Kitty’s Kisses and Americana.

Editorial summary

“Con Conrad” enters the record as american songwriter, record producer (1891-1938). Crown Archives preserves that source wording while asking what Conrad, American and songwriter can confirm, complicate or overturn.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1891, 1938, 1979, 1912—that can be checked directly. The linked authority record independently contributes the date 1891-06-18. Its strongest next move is a source search built around Conrad, American and songwriter.
Editorial analysis

Why this record matters

“Con Conrad” is worth following because a concise public description often conceals a longer documentary argument. Here, Conrad, American and songwriter provides the most credible route into that argument.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Jun 27, 2026. The linked authority identifier is Q443047. VIAF identifies the subject as 74042208. The Library of Congress control number is no89003976. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1891, 1938, 1979 and 1912.

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Source & attribution

This entry incorporates text from Con Conrad” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.