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New York City Inferno

1978 film by Jacques Scandelari

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 25, 2026
Entity authorityQ30738154
Source-derived summary

New York City Inferno (alternately titled From Paris to New York and Cock Tales in certain North American home video releases) is a 1978 French experimental gay pornographic film by Jacques Scandelari. The film follows Jérôme (Alain-Guy Giraudon), a Parisian man who has traveled to New York City in search of his lover Paul (Bob Bleecker). New York City Inferno is directed by Scandelari, who also wrote the film's screenplay based on a concept by Elliott Stein. The soundtrack is arranged by Jacques Morali, and features officially-licensed songs by the Village People.

Plot

In June 1977, Paul departs Paris for a week-long vacation to New York City, a trip taken in part to reflect on his strained relationship with his lover Jérôme. He writes to Jérôme daily, and in his last letter, states that he has decided to leave Jérôme and stay in New York permanently. In December, Jérôme travels to New York to search for Paul, and to determine why he has left Paris.

In New York, a cab driver with whom Jérôme subsequently has sex in a meat locker suggests that he visit Warehouse, a popular new BDSM gay bar in Greenwich Village. Over the course of his week-long visit, Jérôme visits the locations mentioned by Paul in his letters, including the Meatpacking District, the Christopher Street Pier, a sex shop, and a tattoo parlor. At each location he cruises for sex and is introduced to the city's thriving gay scene; he meets a French woman getting her first tattoo, an activist with the National Gay Task Force campaigning against Anita Bryant, and multiple paramours.

Editorial summary

This brief starts where responsible research should: with the source description of “New York City Inferno” as 1978 film by Jacques Scandelari. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1978, 1977—that can be checked directly. The linked authority record independently contributes the date 1978. The account is most persuasive where York, City and Inferno can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 1978 film by Jacques Scandelari. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 25, 2026. The linked authority identifier is Q30738154. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1978 and 1977.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “New York City Inferno”, its source revision and the description used here.
  2. Expand the search: follow New York City Inferno primary sources, New York City Inferno archive and York research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “New York City Inferno”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from New York City Inferno” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.