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King Pleasure

American singer (1922–1981)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 24, 2026
Entity authorityQ1742068
Source-derived summary

King Pleasure (born Clarence Beeks; March 24, 1922 – March 21, 1981) was an American jazz vocalist and an early master of vocalese, a style in which lyrics are set to an instrumental composition or solo.

Biography

Born Clarence Beeks, in Oakdale, Tennessee, he moved to New York City in the mid-1940s, working as a bartender, where he became a fan of bebop. King Pleasure first gained attention by singing the Eddie Jefferson vocalese classic "Moody's Mood for Love", based on a 1949 James Moody saxophone solo to "I'm in the Mood for Love". Pleasure's 1952 recording, his first after signing a contract with the Prestige label, is considered a jazz classic; the female vocalist featured is Blossom Dearie. He and Betty Carter also recorded a famous vocalese version of "Red Top", a jazz classic penned by Kansas Citian Ben Kynard and recorded by Gene Ammons and others. Other notable recordings include a presciently elegiac version of "Parker's Mood", the year before Charlie Parker died in 1955, and Pleasure's take on Ammons's "Hittin' the Jug", retitled as "Swan Blues" in 1962.

Pleasure has been cited as a significant influence by Van Morrison, especially on his album Astral Weeks. Genya Ravan, drawing inspiration for her singing from King Pleasure, recorded "Moody's Mood for Love" with James Moody on her 1972 CBS album Genya Ravan.

Pleasure died on March 21, 1981, aged 58.

Editorial summary

Begin with the source’s own compact description: “King Pleasure” is american singer (1922–1981). The dossier treats that line as a proposition to test through King, Pleasure and American, not as a finished interpretation.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1922, 1981, 1949, 1952—that can be checked directly. The linked authority record independently contributes the date 1922-03-24. For this dossier, King, Pleasure and American is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “american singer (1922–1981)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Aug 24, 2026. The linked authority identifier is Q1742068. VIAF identifies the subject as 44491049. The Library of Congress control number is n94099186. 3 of 3 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1922, 1981, 1949 and 1952.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “King Pleasure”, its source revision and the description used here.
  2. Expand the search: follow King Pleasure primary sources, King Pleasure archive and King research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “King Pleasure”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from King Pleasure” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.