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Cinema Houston

2007 book by David Welling

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJan 31, 2026
Entity authorityQ85752480
Source-derived summary

Cinema Houston: From Nickelodeon to Megaplex is a 2007 book by David Welling and published by the University of Texas Press. It, with 256 pages, discusses historic movie theaters, of multiple varieties, in the city of Houston. According to Ron Briley, a teacher at Sandia Preparatory School who wrote a review for the Southwestern Historical Quarterly, the book is "essentially a nostalgic volume in which Welling laments that in its rapid urban development Houston destroyed many of the lavish movie palaces which once dotted the city's downtown landscape." According to Aaron Carpenter, an undergraduate student at Duke University who wrote a review published in Cite: The Architecture + Design Review of Houston, the author shows his passion for the subject and that the book does not always have a tone of melancholy.

Welling had the following steps in his research: he checked opening and closing dates and variations of names in directories published by the city government, then consulted newspapers-the Houston Chronicle and Houston Post-to clarify particular dates. Welling went to branches of the Houston Public Library to get copies of photographs of the theaters. Welling stated that the majority of the information he received came from the latter and that establishing the exact dates that a theater opened and/or closed was "the most time consuming" aspect of his research.

The book has some discussion of theaters catering to arthouse cinema while most of the space is devoted to facilities for mainstream films.

Briley wrote that by providing a chronology for the "thumbnail sketches", the author had "[made] a good effort

to place the cinema of Houston in historical context". Briley added that the work "is more descriptive than analytical".

The now-demolished Metropolitan Theatre is on the cover.

Editorial summary

The public source identifies “Cinema Houston” as 2007 book by David Welling. This brief keeps that definition visible, then builds a research path around Cinema, Houston and book.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2007—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Cinema, Houston and book providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Cinema Houston”, the useful work is to connect “2007 book by David Welling” to the records capable of establishing context and consequence.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jan 31, 2026. The linked authority identifier is Q85752480. None of the 0 selected statements returned an explicit reference. The first chronological checks are 2007.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Cinema Houston”, its source revision and the description used here.
  2. Expand the search: follow Cinema Houston primary sources, Cinema Houston archive and Cinema research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Cinema Houston”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Cinema Houston” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.