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Christopher Marshall (composer)

New Zealand composer

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 19, 2026
Entity authorityQ2554012 ↗
Source-derived summary

Christopher Marshall (born 1956 in Paris, France) is a New Zealand classical music composer who resides in Orlando, Florida, United States.

His works include choral works, works for chamber ensemble, orchestral music and works for concert band, specifically wind ensembles, for which he is most notable. His most notable composition to date is L'homme armé: Variations for Wind Ensemble.

Works

For orchestra

The Song of Gaia, chamber orchestra (1987)

Eastman Overture, orchestra (1996)

Chaconne, orchestra (1998)

Hikurangi Sunrise, orchestra (2000)

Te Rerenga, orchestra (1998–2003)

Symphonic Reflections, orchestra (2010)

Band ensemble / Wind ensemble

Aue!, wind ensemble (2001)

L'homme armé: Variations, wind ensemble (2003)

U Trau, 2 wind ensembles and chorus (2004)

Okaoka, wind ensemble (2004)

Resonance, wind ensemble (2005)

Rondorlando, wind ensemble (2007)

You'll Never Walk Alone, soprano and wind ensemble (2007) [arrangement of Rodgers song]

Dare To Hope, wind ensemble (2009)

An Emily Dickinson Suite (9 miniatures), wind ensemble (2009)

Light, 13 wind instruments/wind ensemble (2010)

Heat Shimmer, wind ensemble/brass (2011)

For Chamber

Schumannesque, cello choir (1985)

Duo Sonata, cello and percussion (1986)

Intermezzo, wind quintet (1987)

Blood Wedding, incidental music, chamber ensemble (1993)

Synergy, 2 flutes and piano (1993)

Coruscation, 3 violas (1994)

Three Aspects of Spring, violin, clarinet and piano (1995)

Orlando Lakes (3 movements), tuba and euphonium (2009/2011)

Raptures (2 movements), wind octet (2009)

Alafaya Suite (4 movements), flute choir and saxophone quartet (2009)

Songs Without Words (3 movements), string trio (2009)

Birds of a Feather, flute choir (or fl's & cl's), sax quartet, marimba sextet and double bass (2011)

4 movements revised and arranged from An Emily Dickinson Suite, for wind ensemble, 2008

Heat Shimmer, wind ensemble/brass (2011)

Forténovem, 10 trumpets (2011)

For solo instruments

Promenade, tuba and piano (1987)

Elegy, viola (1994)

Three Miniatures, cello and piano (1996)

Homage, violin and piano (1996)

Woman Rising, violin (2003)

Could've, Should've, Would've, baritone saxophone (2009)

Reflection, guitar (2010)

For piano/organ

Intermezzo, piano (1975)

Prelude and Fugue, fortepiano (1986)

Scherzo, piano (1987)

Souvenir, fortepiano (1995)

Ataata, organ (2002)

Second Thoughts, organ (2002)

Chorals

Songs of Samoa (7 songs arranged), chorus (1984)

Pastorale, male chorus, solo soprano, flute, oboe, English cor, clarinet, bass clarinet, bassoon and vibraphone (1987)

To The Horizon: Images of New Zealand (12 songs), chorus (1989)

Earth Song, female chorus (1990)

The Desert Shall Blossom, chorus (1990)

The Last Ones, chorus and piano (1993)

Consider the Lilies, chorus (1993)

The Water of Life, chorus and organ (1994)

Kyrie Eleison: Gaia, soprano solo, chorus, piano, organ and percussion (1995)

With Love at Christmas, chorus (1995)

Christmas Carols from New Zealand (2 carols), chorus (and organ) (1996)

La Rose, chorus w/baritone and high soprano soloists (1996)

Real Gods (2 songs), chorus (1997)

Levavi Oculos Meos, double chorus (1998)

Cançó del Mar (Song of the Sea), double chorus, clarinet, bass clarinet, harp, violin, cello and double bass (1998)

New Zealand Advent Triptych (3 anthems), chorus (1998)

Bless This House!, chorus, organ, brass 3 trumpets, 2 trombones and percussion (1999)

I Hold Your Hand In Mine, chorus (1999) [arrangement of Tom Lehrer song]

Tangi, chorus w/mezzo-soprano solo (2000)

Epitaph, male chorus (2001)

Tihei Mauri Ora!

Editorial summary

Begin with the source’s own compact description: “Christopher Marshall (composer)” is new Zealand composer. The dossier treats that line as a proposition to test through Christopher, Marshall and composer, not as a finished interpretation.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1956, 1987, 1996, 1998—that can be checked directly. The linked authority record independently contributes the date 1956-01-01. For this dossier, Christopher, Marshall and composer is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “new Zealand composer” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Jul 19, 2026. The linked authority identifier is Q2554012. VIAF identifies the subject as 21753463. The Library of Congress control number is no97069559. 3 of 3 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1956, 1987, 1996 and 1998.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Christopher Marshall (composer)”, its source revision and the description used here.
  2. Expand the search: follow Christopher Marshall (composer) primary sources, Christopher Marshall (composer) archive and Christopher research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Christopher Marshall (composer)”?
  2. Which claims depend on a single source or contested interpretation?
  3. Which primary records establish identity, chronology and institutional ties?
Subject index

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Source & attribution

This entry incorporates text from “Christopher Marshall (composer)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.