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Glorious Ruins

album by Hillsong Music Australia

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJan 23, 2026
Entity authorityQ16251890
Source-derived summary

Glorious Ruins is the 22nd live worship album by Hillsong Church. It was recorded live in London, England, and Sydney, Australia by the Hillsong Worship team from around the world including Reuben Morgan, Joel Houston, Ben Fielding, Hillsong United, and international teams from London, Stockholm, and Cape Town. The album includes 12 songs including "Man of Sorrows", "Glorious Ruins", "Christ Is Enough", "Anchor", and "You Crown the Year". It was released on 28 June 2013 in Australia and New Zealand and on 2 July 2013 internationally. The album reached No. 3 on the ARIA Albums Chart.

Background

On 27 and 28 October 2012, Hillsong Live recorded the first part at the Hillsong Convention Centre in Sydney with a worship night called "This Is for Everyone". The second part of the album was recorded by Hillsong London at London's Dominion Theatre on 17 February 2013. "Man of Sorrows", the first single from the album, was released as a free download just before Easter.

Hillsong Live announced the new album by releasing its cover artwork 3 April 2013.

Editorial summary

“Glorious Ruins” enters the record as album by Hillsong Music Australia. Crown Archives preserves that source wording while asking what Glorious, Ruins and album can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—2013, 2012—that can be checked directly. The linked authority record independently contributes the date 2013-07-02. Its strongest next move is a source search built around Glorious, Ruins and album.
Editorial analysis

Why this record matters

“Glorious Ruins” is worth following because a concise public description often conceals a longer documentary argument. Here, Glorious, Ruins and album provides the most credible route into that argument.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jan 23, 2026. The linked authority identifier is Q16251890. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2013 and 2012.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Glorious Ruins”, its source revision and the description used here.
  2. Expand the search: follow Glorious Ruins primary sources, Glorious Ruins archive and Glorious research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Glorious Ruins”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Glorious Ruins” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.